Gouache experiment on toned paper

I’ve been having so much fun using a Stillman & Birn toned sketchbook these past few weeks that I decided to take it one step further by painting in gouache. But gouache is hard to find. The first store I went to had none, and the second place had a few tubes in a sale bin. I guess it’s not very popular, at least in my neck of the woods.

Back at home I placed a few things on my studio table — two of my favourite pieces of pottery (the one on the left recently made by a friend of mine) and a natural sponge that I use for painting (in case you can’t tell what the blob on the right is).

I drew first in pencil and then painted, using a limited palette of White, Lamp Black, Cadmium red, Ultramarine Blue and Cadmium Yellow. I’ve never painted with gouache before but here are a few things I learned:
1. You need to mix up enough paint if you are going to paint a large area. Notice what happened in the background when I ran out of paint on the right side.
2. Gouache dries fast! You need to paint quickly.
3. It’s hard to duplicate a colour if you need to add more to an area (again, look at that background.
4. You can correct mistakes quite easily by painting over areas.

Here are a few things I like about gouache (and some of these are why I like oil as well):
1. The flatness of the colour
2. The subtleties of the colour
3. Working from dark to light
4. Adding white
5. The fast drying time.

I will certainly be trying this again. Especially since I cleaned out the sale bin at the store.


The mind wanders

Ahhhh… Can you hear my sigh of relief that classes are done for this semester? It seems to me that the exhale is so loud it can be heard from very far away. But with classes over it means that the worst is yet to come — the piles of grading that have to be looked at before final marks are turned in.

I took a day off today to let my mind wander, sit in my studio corner, and think about scenes I want to paint. I’ve now added a few things to the room thanks to great ideas from blog readers — an old lamp, as well as a side table to rest my teacup on. A footstool will come in time. From that comfortable spot I drew Alice after her walk. Nothing too strenuous for Day One of my (almost) holiday.


Studio corner

I’ve spent some time these past few months making my studio a better place to paint — adding lighting, clearing out junk, etc. There’s still a bit more to be done but yesterday I spotted this big old chair on the other side of the room and I had an idea. I dragged and pushed and dragged some more until I got it into the perfect spot in the corner right next to all my favourite art books. When school finishes next week I hope to be spending some time there, catching up on reading. Sketched in a Saunders Waterford FatPad, 140 lb Rough, 28 x 38 cm.