Sailing shapes
Posted: May 30, 2015 Filed under: Uncategorized 28 CommentsWhen I looked at this scene early this morning the first thing I thought was “how do I make sense of this confusion?” I’ve painted it before — last summer, and the summer before — but not in the early morning like this and perhaps with fewer boats in the bay. If you think about it, it’s impossible to draw in all the details on the boats, unless of course you have all day and besides, why draw details that you can just as easily add in with a brush? In a scene like this there are three repeating motifs: the sail covers, the masts and the shapes of the foreground boats. The rest is just filler. Bits of lights and darks between those shapes that convey more rows of boats.
So here’s what I did. I drew the foreground boats, the sail covers, the horizon line and the line of trees. When it came time to paint, I started with the sky and water and left a good chunk of unpainted (white) shapes in the middle. If you look carefully, there are no boats behind that first row. Just masts, sail covers and little dark and light shapes. I painted the reflections fairly early on in the process and it’s a good thing I did since the wind picked up not long after and changed the scene considerably. The last thing I did was the masts, trying to connect them with the sails, and not always succeeding.
Love this…spontaneous and GOOD!
LikeLike
Thanks Dee for always taking the time to send a few words. It’s much appreciated.
LikeLike
Shari,
I think this is quite successful. It is about pattern and reasonable likeness. It is very believable!
Gail
LikeLike
Thanks Gail. I appreciate hearing from you because I think we are both trying to move in the same direction.
LikeLike
Impressive – planning, discipline, patience, talent, artistry – all come together in this.
LikeLike
That is so nicely said. Thanks so much.
LikeLike
This is a great picture! It looks so complicated to make it all look so believable!
LikeLike
It’s complicated but in a kind of abstract way which makes it a challenge to paint. I loved doing this one.
LikeLike
Bravo! That is an amazing analysis of a scene. Really spot on observation. Seeing the colored sail covers as more important than the boats in back was genius.
LikeLike
You are too kind my friend.
LikeLike
It is just perfect
Sent from my iPhone
>
LikeLike
Thanks Barbara.
LikeLike
That approach really worked well. 🙂
LikeLike
Thanks Ron!
LikeLike
Thank you so much for sharing this wonderful painting and also for the helpful explanations, Shari! It is important to understand the painting process….Kind regards from Germany, Nadia
LikeLike
I’m glad you found the explanation useful Nadia. Hello all the way to Germany.
LikeLike
Wow Shari, this is amazing!
Appreciate you breaking down the steps you took. I would have had no idea where to start.
LikeLike
It’s great to hear from you Genine. I’m glad you liked hearing about the process.
LikeLike
Shari, you did a very good job beyond the first row, if you had not mentioned it nobody, would have noticed it. the water réflexion is amazing.
LikeLike
Thanks André!
LikeLike
Shari, beautifull ! Did you use ink for the drawing? Can you guide me in buying a good ink pen?
To use in watercolor painting…I saw some Waterman ink pens from $100.00 up…would you recommend these?…Is it better to use a pen with ink in tubes or a bottle to dip in?
I was also told that if you don’t use your pen every day, the ink will dry and clog it?
LikeLike
There is no ink in this one Louise. As for pens, my favourite one costs $12. I’m sure there are some great ones for $100 but I am perfectly happy with this one from Goulet Pens. It’s the Platinum Carbon Desk pen and it has a very nice fine nib on it. The problem with most other pens for me is that I find them too thick. And it is never clogged, even if I go for a few days without using it.
http://www.gouletpens.com/plat-dp-800s/p/Plat-DP-800S
LikeLike
Thanks a lot Shari, I will look into this.Love your work !
LikeLike
What I find so successful is that by defining only the first line of boats and merely suggesting those behind with shapes and color, you convey the message clearly, but by leaving the viewer’s brain to do the heavy lifting.
LikeLike
I think that is what I always hope to achieve but don’t always succeed. Thanks for wording this so well.
LikeLike
wow!!! you made sense of the confusion and i am still overwhelmed as to where i would begin if i were trying it myself. beautiful!
LikeLike
Thanks so much Carol.
LikeLike
Love this. And thankyou for the detailed instruction.
LikeLike