My big outing today was to Parc des Ancres on the Soulanges Canal. I’ve painted at this location years ago, and it was thrilling to return to sketch the water falling from the old Lock #3. It’s a dramatic sight, accompanied by a deafening soundtrack of falling water. Everything is massive in the scene. The huge beams at the top of the lock, the plates of rusty metal that form a vertical wall behind the falls, and of course the flow of water. I painted quickly, I think inspired by the movement of the falls. I also took lots of photos, with a thought to perhaps a larger watercolour of this scene.
My neighbour has a beautiful garden but the only time I can see it from my house is in early spring. After that the border between us fills in, and although I am grateful that there’s no fence between us, later in the summer a wall is created by the vegetation.
I tried to paint this in layers to give some distance to the scene. Lately I’ve been using lots of Lemon Yellow for grass in sun. Even though when it’s on the palette it seems TOO yellow, when I contrast it to the shadier areas of grass or leaves in shade, it seems to work. Painted from my backyard on Arches paper.
I didn’t realize how much I needed to get out of the house until… I got out of the house. Taking a little drive to a local Montreal park was almost as exciting as taking a road trip out of town. We found this beautiful oasis at Parc des Rapides in Lasalle, with red winged blackbirds, ducks and families of geese and goslings. Nothing out of the ordinary really, but it was a different view and I was happy to spend a few hours looking out at the water. I was really hoping it sketch the rapids but that area was blocked off, probably because the paths are too narrow to safely keep pedestrians six feet apart. I guess that will be the norm for this summer. Sketched in an Etchr sketchbook under the shade of a willow tree.
Today’s painting inspiration comes from the Dutch landscape designer Piet Oudolf. If you’ve walked the High Line in New York or toured the Lurie Garden in Chicago, then you’ve seen his work. He had a part in both of those projects. Yesterday I watched a virtual screening of the documentary “Five Seasons: The Gardens of Piet Oudolf“. As Oudolf walked through his own autumn gardens in the Netherlands, pointing at seed pods and skeletons of perennials, it made me look at my own garden a little differently today. I know there’s not much decay in spring, but what was left over when the petals of the tulips fell was as interesting as the tulips themselves.
This grouping of flowers — picked from my garden this morning — is my favourite of the season. Tiny blossoms of Forget-me-not, just-budding Lilies of the Valley, acid yellow Euphorbia, and a few others whose names escape me. And of course the gently arching Bleeding Hearts. Even their names seem to be most descriptive of the year. Once these fade, the big showy stuff blooms and, at least in my garden, they just never have the beauty and delicacy of these. Sketched in watercolour and white gouache on Strathmore toned paper.
Alice appreciates being outside these days as much as I do. But drawing a dog outdoors is a lot more challenging than the usual “sleeping dog after a walk” sketch session. Positions shift constantly, people (and other dogs) go by on the street, and bugs must be eaten. But, like people in motion, dogs in motion generally come back to the same pose eventually, and with some stop and start, the drawing ends up getting completed.
It felt pretty great to finally have enough flowers in the garden to create a bouquet, but they flopped over almost immediately. The bleeding hearts were mere shoots a few days ago, and now they’re almost past their prime. Same with the tulips. That’s what happens when you have a cold spring and summer descends quickly and with no warning. I’m not complaining though. It was pretty great to plunk these in a vase and paint them from a chair in the backyard, watching them shift gently in the wind. After that long period of confinement it was worth waiting for, and made the painting process all that much more sweet.