Big brush, small paper
Posted: September 8, 2026 Filed under: Uncategorized | Tags: Alvaro Castagnet, watercolour, workshop 19 CommentsI’ve just finished jotting down three pages of notes from a weekend workshop in Montreal with the great watercolour painter Alvaro Castagnet. I’m sure plenty more will be added to my notebook as I process all that I tried to absorb over the two days.
A short time ago, I was lucky to see a brief Instagram post advertising the studio workshop, and I jumped at the chance to see Alvaro in my very own city. I’m sure it filled up quickly. Over the two days, we didn’t paint much but we were treated to five half-sheet demos. Three urban scenes, one landscape and one interior. That’s a lot of painting to watch, but all of it was fascinating. And after a spring and summer of being the teacher, it was a joy to be a student again. To watch, to listen, to have time to think about what was happening on Alvaro’s palette and the paper.
If you know Alvaro’s work, you probably know that mood and atmosphere are often used to describe it. He uses lots of greys, reds and blacks in his watercolours. And watching him paint is a bit like catching a glimpse of a chef at work in a busy restaurant kitchen. He draws quickly, he moves back and forth as he grabs brushes and mixes colour, he slashes paint across the paper, he shouts for emphasis, he splatters opaque washes on top of darks, and at the very end he seasons with dabs of white. His demos are done in an hour. It’s exhausting to watch, but oh, so entertaining.
And sprinkled into all of that he describes his thought process and doles out buckets of advice. “Don’t draw, PAINT!” “Values and temperature first!” “Paint small but use a BIG brush!” “Make every brushstroke beautiful!”
We were discouraged from taking notes as he painted lest we miss something happening on the palette or the paper. That was fine with me, but that’s also the reason I jotted down my notes today before I forgot something important.
My first day painting was garbage, but on the second day we painted along with him, as he did each step. I tried to pay more attention to my brushstrokes and the lost and found edges in the painting. Here is Alvaro’s demo.

And here is my version of the same NY scene, done in under an hour before we took a break for lunch.

If you ever see that Alvaro is reaching in your city, or if you can attend a travel workshop with him, you won’t regret it. It’s high-level teaching that really gets you thinking about how you paint. I’m so grateful that I had a chance to learn with him.
Olana, near and far
Posted: September 5, 2026 Filed under: Uncategorized 4 CommentsThe best viewpoint to draw Olana (historic home and property of Frederic Church) is from below. That was what we did last year when I brought my workshop group there and that is what we did again last week. The house is situated on the highest point of land on the 250 acre site, and when you approach from the parking area you only see parts of the house. But walk down a slight incline to a flat plateau, turn around, and you get a view of the historic home and museum in all its Persian-inspired glory. It’s especially beautiful on a clear day when the morning sun lights the fanciful brickwork and decorative tiling.

Last year we visited in September when the “The Mingled Garden” was past its prime, but this year there were still lots of flowers to in bloom. If you are a fan of Frederic Church, this year is the 200th anniversary of his birth. Here’s a full list of upcoming events and exhibitions.

Look left, look right
Posted: August 31, 2026 Filed under: Uncategorized | Tags: boat sketches, Greenville Arms, Hudson River Valley, Hudson River Valley Art Workshops, ink sketches 6 CommentsWhen I’m teaching on location, I often try to arrive a day early to find painting locations for my group. For my workshop at Hudson River Valley Art Workshops last week, I was really happy to discover the Hudson River waterfront park in Hudson, NY. It has big trees for shade, restrooms, coffee nearby, and of course, some great views. Look left and you can see a tugboat and some industrial barges. Look right and you’ll see the Schooner Apollonia.

We had a beautiful morning to sketch the tugboat but by early afternoon there were some dark clouds in the distance. I thought I could get in another quick demo of the schooner in before the rain, but it was upon us before I had time to pack up. My sky wash was still wet when the precipitation went from a light mist to a deluge. The water splats are giant raindrops that fell on my still-wet page and the rest of the scene was painted in studio, after a full change of clothing and a warm cup of tea. It took two days for my knapsack to dry out.

The Hudson River Valley is full of great painting spots. Besides the river scenes, there are rolling hills, mountain vistas, interesting small towns, and tons of history. The Greenville Arms Inn is a welcoming and cozy place to stay, and we have ample studio space in case of bad weather. I can’t promise that it won’t rain, but I can attest that the food is delicious and the dinner conversations with other sketchers are always lively. I’ll be back there next August, if you are interested in coming along.
Seven days in Alsace
Posted: August 21, 2026 Filed under: Uncategorized | Tags: Alsace, travel sketchbook, travel sketching, watercolour sketches 18 CommentsI’ve finally found a bit of time to scan all the sketchbook pages from my July teaching trip in Alsace. (And yes, my trusty scanner is back at work, thanks to a new adaptor cord.)
Despite several trips to Strasbourg over the past decade (a good friend lives there), I had never had the opportunity to explore the Alsatian villages along La Route des Vins. Well, let me tell you it’s an extraordinary area. Vineyards as far as the eye can see! And, as if created just for sketchers, these vineyards are often steeply banked so they form a dramatic backdrop to nearly every village we visited.

Our visit coincided with La Fête Nationale (Bastille Day)—the biggest holiday on the French calendar. Sadly, though, it was too dangerously dry for the traditional fireworks, but folks were having fun anyway. In the village of Riquewihr (above), they were busily packing up tables and chairs from last night’s party.

With their timbered houses and cobbled streets, each village we visited in Alsace vied with its neighbour for charm and grace. In Bergheim, we sketched a backlit street scene and reflections in windows.

When we’d had our fill of half-timbered houses, we turned to gardens and to families of giant storks whose nests adorn many chimney tops throughout Alsace.

One day, we ventured to the Ecomusée d’Alsace, which offers a wealth of old buildings and artefacts from rural life—all of them ideal sketching subjects. In fact, when it rained in the afternoon and we had to take shelter in some of the historic buildings, including a blacksmith’s and a pharmacy, we just kept on sketching.

In the shelter of the museum gift shop, I did an ink drawing of this little stone building and the lush flower pots in front, and added colour later.

I was lucky to visit the village of Ribeauvillé twice—once with the group from the Rhine Cruise and once with my Alsace group. The spread above combines two demos from different days. I started with the fountain and window on the right, and then extended the panorama with a row of houses the following week.

Of course, it was absolutely necessary to add grapevines to our sketchbooks, alongside little stone and buildings and a belfry.

My favourite view (see below) was from the vineyards high above the town. You get a real sense of the hilly landscape in Alsace, where so much land is given over to growing grapes.

On our final days in Alsace, we took a day trip to Strasbourg, where we sat along the canal and drew the large timbered houses of La Petite France.

As it turns out, you can get an awful lot of sketching in when you do it every day for a week. I think we captured pretty much everything: The near and far; homes, steeples and shops; birds and plants; quite of few villagers—and lots and lots of history. The only thing is missing is the food, but I am not really a food sketcher (I’d rather eat what’s in front of me than let it get cold).
As always, my heartfelt thanks to French Escapade for taking us to such great places, and of course to the wonderful students in the group. We had so much fun together, didn’t we?
Water-soluble ink experiments
Posted: August 17, 2026 Filed under: Uncategorized | Tags: boathouses, Hudson, ink and watercolour 11 CommentsI appreciate having time at home to experiment with materials. For the past week or two, I’ve been drawing with an assortment of red and yellow inks, and then adding watercolour to them. This is a follow-up to the echinacea that I painted last week.
On Thursday I met my friend Susanne Strater for a sketching session at Greenwood Centre in Hudson. She worked in pastel and I drew with my Lamy pen that was filled with Ancient Copper ink. If you happen to be in Hudson, Greenwood is a very welcoming place to sketch, and the hydrangeas are at their peak right now.

On the weekend we visited friends at their camp in the Northern Adirondacks. My favourite time of day to sketch when we visit is in the early morning when the water is very calm. The only company I have then — besides Alice — is the loons, the ducks, and the occasional high-flying eagle. I used Noodler’s Apache Sunset ink (now called Southwest Sunset) and dip pen for this drawing, and added watercolour on top of that.

This morning I was back in Hudson, sitting on a bench and drawing a view of Main Road. I used a Stabilo Point 88 fineliner in Sanguine for my initial drawing. It’s a water-based ink but it releases less pigment than the two previous inks.

August Echinacea
Posted: August 10, 2026 Filed under: Uncategorized | Tags: bouquet, echinacea, ink and watercolour 20 CommentsLike everything else that I’ve done this summer, I’m a little late in getting out to paint in my garden. That’s why in this week’s bouquet, the blooms are all a little past their prime. But that makes them so much more interesting to paint. I get droopy petals, curled leaves and darks where there should be brights. My drawing was done with water-soluble ink and watercolour was added on top of that. Here’s another bouquet that I painted the same way.

Before the rain
Posted: August 6, 2026 Filed under: Uncategorized | Tags: boats, plein air watercolour, Pointe Claire Yacht Club 7 CommentsI got an early start at the breakwater today, in an attempt to beat the heat. The morning started off hot and sunny (I set up on the shady side of my car), but then a heavy, humid air mass rolled in, the sky darkened and the air was still. My washes started off quite light, but as the humidity descended, my painting darkened too. Not long after I finished, the sky opened up, but by that time I was back in my car. Painted on a quarter sheet of Saunders CP 140lb paper.

August breakwater
Posted: August 4, 2026 Filed under: Uncategorized | Tags: boat painting, plein air watercolour, Pointe Claire Yacht Club 3 CommentsI’m a little late for the start of boat painting season but better late than never. I’ve painted this view of the Pointe Claire Yacht Club countless times but it never gets old. I have my spot under a tree, in a beautiful park, in the good company of picnickers, dog walkers, cyclists and the odd pedestrian who looks over my shoulder for a time. On a warm summer day, I can think of no better place to paint.
I did have my plein air easel with me but ended up painting this quarter sheet on my lap because a lever was missing from my tripod, making it impossible to attach the tray that holds my paper. But it didn’t matter. There was nothing that was going to stop me from painting my favourite summer scene. Painted on a quarter sheet of Arches Rough paper, 140 lb.

The view from my studio
Posted: August 3, 2026 Filed under: Uncategorized | Tags: hydrangeas, still life, watercolour, window sill 18 CommentsWe’ve had a lot of rain over the past two days. So much that my hydrangeas are flopping over and blocking the view from my studio window. It was my intention to paint the old bottles on the window sill today, but when I saw the hydrangeas, I thought I would incorporate them into my painting. It was a bit of an odd experiment because usually things outside the window are further away and often lighter in value, or at least treated with a lighter range of values to separate inside and outside. But in this case they were right up against the glass so I incorporated lots of darks.
Painted on a quarter sheet of Saunders Waterford, CP, 140 lb, using a limited palette of Burnt Sienna, Quinacridone Gold, Payne’s Grey and Carbazole Violet. And a bit of Titanium White at the very end for highlights.

Zinnias
Posted: July 31, 2026 Filed under: Uncategorized | Tags: bouquet, flowers, watercolour, zinnias 27 CommentsMy favourite thing this summer season is going to the U-pick garden when I collect my weekly CSA farmer basket at Ferme Tournesol. This year the zinnias have been terrific — such a variety of different shapes and bright colours for me to paint. For this summer bouquet, I used a palette that I have filled with bright Holbein reds, pinks and oranges that were just right for this bouquet.
I am still waiting for my scanner cable, but it should arrive tonight. One of the things I like about scanned watercolours is that I don’t pick up the paper texture like I do with a photo. But for now, this will suffice. Painted on a block of Millford paper.

















