Seven days in Alsace
Posted: August 21, 2026 Filed under: Uncategorized | Tags: Alsace, travel sketchbook, travel sketching, watercolour sketches 7 CommentsI’ve finally found a bit of time to scan all the sketchbook pages from my July teaching trip in Alsace. (And yes, my trusty scanner is back at work, thanks to a new adaptor cord.)
Despite several trips to Strasbourg over the past decade (a good friend lives there), I had never had the opportunity to explore the Alsatian villages along La Route des Vins. Well, let me tell you it’s an extraordinary area. Vineyards as far as the eye can see! And, as if created just for sketchers, these vineyards are often steeply banked so they form a dramatic backdrop to nearly every village we visited.

Our visit coincided with La Fête Nationale (Bastille Day)—the biggest holiday on the French calendar. Sadly, though, it was too dangerously dry for the traditional fireworks, but folks were having fun anyway. In the village of Riquewihr (above), they were busily packing up tables and chairs from last night’s party.

With their timbered houses and cobbled streets, each village we visited in Alsace vied with its neighbour for charm and grace. In Bergheim, we sketched a backlit street scene and reflections in windows.

When we’d had our fill of half-timbered houses, we turned to gardens and to families of giant storks whose nests adorn many chimney tops throughout Alsace.

One day, we ventured to the Ecomusée d’Alsace, which offers a wealth of old buildings and artefacts from rural life—all of them ideal sketching subjects. In fact, when it rained in the afternoon and we had to take shelter in some of the historic buildings, including a blacksmith’s and a pharmacy, we just kept on sketching.

In the shelter of the museum gift shop, I did an ink drawing of this little stone building and the lush flower pots in front, and added colour later.

I was lucky to visit the village of Ribeauvillé twice—once with the group from the Rhine Cruise and once with my Alsace group. The spread above combines two demos from different days. I started with the fountain and window on the right, and then extended the panorama with a row of houses the following week.

Of course, it was absolutely necessary to add grapevines to our sketchbooks, alongside little stone and buildings and a belfry.

My favourite view (see below) was from the vineyards high above the town. You get a real sense of the hilly landscape in Alsace, where so much land is given over to growing grapes.

On our final days in Alsace, we took a day trip to Strasbourg, where we sat along the canal and drew the large timbered houses of La Petite France.

As it turns out, you can get an awful lot of sketching in when you do it every day for a week. I think we captured pretty much everything: The near and far; homes, steeples and shops; birds and plants; quite of few villagers—and lots and lots of history. The only thing is missing is the food, but I am not really a food sketcher (I’d rather eat what’s in front of me than let it get cold).
As always, my heartfelt thanks to French Escapade for taking us to such great places, and of course to the wonderful students in the group. We had so much fun together, didn’t we?
Water-soluble ink experiments
Posted: August 17, 2026 Filed under: Uncategorized | Tags: boathouses, Hudson, ink and watercolour 11 CommentsI appreciate having time at home to experiment with materials. For the past week or two, I’ve been drawing with an assortment of red and yellow inks, and then adding watercolour to them. This is a follow-up to the echinacea that I painted last week.
On Thursday I met my friend Susanne Strater for a sketching session at Greenwood Centre in Hudson. She worked in pastel and I drew with my Lamy pen that was filled with Ancient Copper ink. If you happen to be in Hudson, Greenwood is a very welcoming place to sketch, and the hydrangeas are at their peak right now.

On the weekend we visited friends at their camp in the Northern Adirondacks. My favourite time of day to sketch when we visit is in the early morning when the water is very calm. The only company I have then — besides Alice — is the loons, the ducks, and the occasional high-flying eagle. I used Noodler’s Apache Sunset ink (now called Southwest Sunset) and dip pen for this drawing, and added watercolour on top of that.

This morning I was back in Hudson, sitting on a bench and drawing a view of Main Road. I used a Stabilo Point 88 fineliner in Sanguine for my initial drawing. It’s a water-based ink but it releases less pigment than the two previous inks.

August Echinacea
Posted: August 10, 2026 Filed under: Uncategorized | Tags: bouquet, echinacea, ink and watercolour 18 CommentsLike everything else that I’ve done this summer, I’m a little late in getting out to paint in my garden. That’s why in this week’s bouquet, the blooms are all a little past their prime. But that makes them so much more interesting to paint. I get droopy petals, curled leaves and darks where there should be brights. My drawing was done with water-soluble ink and watercolour was added on top of that. Here’s another bouquet that I painted the same way.

Before the rain
Posted: August 6, 2026 Filed under: Uncategorized | Tags: boats, plein air watercolour, Pointe Claire Yacht Club 7 CommentsI got an early start at the breakwater today, in an attempt to beat the heat. The morning started off hot and sunny (I set up on the shady side of my car), but then a heavy, humid air mass rolled in, the sky darkened and the air was still. My washes started off quite light, but as the humidity descended, my painting darkened too. Not long after I finished, the sky opened up, but by that time I was back in my car. Painted on a quarter sheet of Saunders CP 140lb paper.

August breakwater
Posted: August 4, 2026 Filed under: Uncategorized | Tags: boat painting, plein air watercolour, Pointe Claire Yacht Club 3 CommentsI’m a little late for the start of boat painting season but better late than never. I’ve painted this view of the Pointe Claire Yacht Club countless times but it never gets old. I have my spot under a tree, in a beautiful park, in the good company of picnickers, dog walkers, cyclists and the odd pedestrian who looks over my shoulder for a time. On a warm summer day, I can think of no better place to paint.
I did have my plein air easel with me but ended up painting this quarter sheet on my lap because a lever was missing from my tripod, making it impossible to attach the tray that holds my paper. But it didn’t matter. There was nothing that was going to stop me from painting my favourite summer scene. Painted on a quarter sheet of Arches Rough paper, 140 lb.

The view from my studio
Posted: August 3, 2026 Filed under: Uncategorized | Tags: hydrangeas, still life, watercolour, window sill 18 CommentsWe’ve had a lot of rain over the past two days. So much that my hydrangeas are flopping over and blocking the view from my studio window. It was my intention to paint the old bottles on the window sill today, but when I saw the hydrangeas, I thought I would incorporate them into my painting. It was a bit of an odd experiment because usually things outside the window are further away and often lighter in value, or at least treated with a lighter range of values to separate inside and outside. But in this case they were right up against the glass so I incorporated lots of darks.
Painted on a quarter sheet of Saunders Waterford, CP, 140 lb, using a limited palette of Burnt Sienna, Quinacridone Gold, Payne’s Grey and Carbazole Violet. And a bit of Titanium White at the very end for highlights.

Zinnias
Posted: July 31, 2026 Filed under: Uncategorized | Tags: bouquet, flowers, watercolour, zinnias 27 CommentsMy favourite thing this summer season is going to the U-pick garden when I collect my weekly CSA farmer basket at Ferme Tournesol. This year the zinnias have been terrific — such a variety of different shapes and bright colours for me to paint. For this summer bouquet, I used a palette that I have filled with bright Holbein reds, pinks and oranges that were just right for this bouquet.
I am still waiting for my scanner cable, but it should arrive tonight. One of the things I like about scanned watercolours is that I don’t pick up the paper texture like I do with a photo. But for now, this will suffice. Painted on a block of Millford paper.

Seven days on the Rhine
Posted: July 29, 2026 Filed under: Uncategorized 18 CommentsToday was supposed to be a day of scanning all my sketches from a recent trip to Europe, but my scanner did not cooperate. After 15+ years as “my trusty scanner”, it has either died or needs a new power adapter. I hope it’s the latter, which is a much cheaper option. The adapter is on order and I will know more as soon as it arrives. If the scanner itself has reached the end of its life, I will thank it and say that I certainly got my money’s worth. I’m not exaggerating when I say that I’ve scanned thousands of sketches with it, and it has always worked perfectly.
I have always preferred scanned sketches to photographed ones. I find the colour is truer and the images require fewer adjustments in Photoshop to brighten the whites and get them to match the originals. But in the interests of time, today I took my book outside and photographed my sketches in the overcast light of this rainy day. They’re not as sharp as the scans I am used to, but they will do for now.
And now for the sketches…
I’m never sure what to put on the first page of a new sketchbook, but this time it was easy. I was in Europe to teach a French Escapade workshop on a Rhine River cruise boat along with my very talented friends Brenda Swenson and Suhita Shirodkar, so I designed some lettering for the page and added a sketch of a decorative ceramic frieze that I saw above a door in Amsterdam.

We spent a few days before the cruise with good friends in Amsterdam, and besides visiting the Rembrandts and the Vermeers at the Rijksmuseum, we had some time to draw along the canals. Can you spot The Girl with a Pearl Earring in my sketch?

The river journey started in Amsterdam (imagine 45 sketchers boarding the boat with all their gear!) and ended in Basel, Switzerland. Along the way we had tons of fun sketching at the open air museum in Arnhem, and then in Nijmegen, Cologne, Mainz, Strasbourg and Ribeauvillé. Below are my spreads from the trip, including some workshops demos and some sketches done on free afternoons — windmills, old wooden boats, timbered houses, the people on another boat when we were side by side in one if the many locks we went through along the way, and of course the very gothic cathedral in Cologne.






I regret not taking more photos of the sketchers on location in all of these places, but I was too busy teaching and sketching. Thankfully our wonderful organizers from French Escapade did a lot of that. Have a look at their Instagram or Facebook feeds to see some videos of the fantastic work from our talented group. It was thrilling to see all of the sketchbooks on our final night together! Tomorrow (or when my scanner cable arrives) I’ll post the sketches from my second teaching week, this time in Alsace. And if it turns out that my scanner is trusty no more, I will be certainly asking for recommendations!
Less than perfect
Posted: June 29, 2026 Filed under: Uncategorized | Tags: flower painting, watercolour 15 CommentsIn my studio, I still have piles of sketches (from this spring’s travels) waiting to be scanned. Here’s one from my recent workshop in Connecticut. The property of the inn where we were based has beautiful landscaping and plenty of hanging baskets and flowers in containers. But for a first day exercise we used a limited triad (Cobalt Blue, Quinacridone Rose and Hansa Yellow) and I chose a less than perfect subject for my demo. And by less than perfect, I mean I chose the only dead plant on the property to paint, much to the dismay of Pat, my organizer. The yellowing banana leaves were a great contrast in shape and colour to the blooming plants next to them but I have a feeling that by the time the next painter arrives at the inn, this pot will be relegated to the recovery garden. This was painted on a block of Millford CP paper, 10″ x 14″.

Gardening day at Silas W. Robbins House
Posted: June 23, 2026 Filed under: Uncategorized | Tags: architecture sketch, Connecticut, Ink and watercolour sketch, ink sketch, Silas W. Robbins House 17 CommentsHave a look at the Silas W. Robbins House. You’ll understand why I wanted to draw it. It’s an impeccably maintained Victorian home in Wethersfield, Connecticut. I won’t list all of the architectural details but if you are interested in the history of the house and how it was restored after a roof fire, you can read about it here. I drew this with my students as part of last week’s workshop with Artists Rising Retreats. Our drawing session happened to coincide with landscaping day on the property, and from what I observed, the gardens are as beautifully maintained (and colour coordinated) as the house.
In my workshop demo, I simplified a lot of the details on the house (which you will see when you look at a photo of the facade) but I tried to convey the grandeur of it as well as its position on the corner lot amongst the plants and trees. And if there are thanks to give for the beauty of this scene, it’s most definitely to the landscapers who donned their orange t-shirts for the occasion.

















