I can see these three cedars from my kitchen window, and despite their sameness of shape, with a bit of snow on them they become more interesting to sketch. Sometimes in winter, I paint the dark parts of a sketch first. That helps to set up the values correctly. A mix I like for evergreens is Phthalo Blue and Quinacridone Gold, with some Indanthrene Blue added in for the deepest darks. Sketched in a Handbook Watercolour Journal, 8″ x 8″.
Winter requires a limited palette. I don’t usually carry Raw and Burnt Umber in my kit, but added a bit today to paint the tree scene in the cemetery. Even though you had to look hard to see colour in the cloudy landscape this morning, when the sun came out everything changed. The contrast in values between the trees and the snow became sharp, and suddenly there was movement and direction. Today was also a good day to use the Indanthrene Blue that sits in a corner of my palette. Mixed with the Burnt Umber and some Alizarin it makes a great dark for the trunks and branches. Painted on Arches Rough Paper, 10″ x 14″.
It’s studio clean up day for me, which always involves looking through piles of filled sketchbooks (it’s a form of procrastination, no doubt). It’s sort of a review of the year too, and also a way to find if there are any unused pages I can fill. Sometimes I also find sketches I haven’t scanned, like these two from Rockport, Mass. It’s funny, the things that come back to you when you look at the sketches. With these, it was the wind. I painted the first one (with all the boats) on the cold side of Tuna Wharf. It’s the side that faces the open water, just at the start of the channel where the fishing boats go out to sea. I seem to always choose the worst time to paint there, at the end of the day when the wind picks up. I can see from the shaky squiggles that I made on the page that I was really cold. My brush strokes are messy and not very precise.
The second sketch is done from the protected side of Tuna Wharf, sitting in the sun, at the end of the day. When I look at this one, I can feel reflected heat from the wall behind me, and the more confident lines in the sketch are revealing — this was certainly a more comfortable place to draw from.
Ok, back to the big clean up.
For the very quickest of sketches, I’ve been keeping a pencil and a really small sketchbook in my bag. If you want to make drawing a daily habit, then the book needs to be with you wherever you go — for those waiting times in the dentist’s office, for the commute home on the train or bus, or even for a few minutes on your lunch hour. And it doesn’t need to be something significant that you sketch. Maybe it’s just the way the light hits the house across the way, or the big boots on the guy sitting next to you on the bus, or the half empty coffee cup on your desk. Every little bit of drawing practice is valuable, and the easier it is to use the tools, the more likely you will be to do it. I’m not big on New Year’s resolutions, but if there’s one I’ll try to adhere to this year, it’ll be to take out the book in the bag a little more often.
It’s the start of a holiday week and I didn’t feel much like going out to sketch in my car. Luckily I found members of my family who didn’t feel like doing much either. Sketched in pencil in a Stillman & Birn Zeta softcover book, 8″ x 5″. Still my favourite book for pencil drawings.
It turns out I’m not the only crazy person who sketches outdoors in winter. In fact I’m the least crazy of the bunch because I sit in my car. Some of my urban sketcher friends sketch while standing outside in the snow. That makes me seem like a bit of a wimp, actually. Check out this post on Urbansketchers.org to read about some great tips for winter sketching, including my own.
And while I have your attention, let me also take this opportunity to wish you all the best for the holiday season, the winter solstice, the new year and whatever else you celebrate. May you have many, many happy sketching moments in 2017!
I went to the store to get an ice scraper and ended up with a Christmas cactus in my shopping cart. The plant was so tropical, so exuberant in its blooms and so very unlike the reality of the blustery day outside that I had to bring it home. I’m not that good with houseplants so I thought it might be a good idea to paint it immediately in case the flowers start dropping off. Painted in a Handbook watercolour journal, 10″ x 8″, using a lot of Quinacridone Rose for the blossoms.