Get me out of this thing

Alice had surgery yesterday, but don’t worry, all is well. It was a small thing that had to be removed from her knee but we were happy to hear that it was benign. Last night when we brought her home she was still confused from the anaesthetic, but today she is very alert and wondering why this thing is around her neck.

In the instructions from the vet, they call this an Elizabethan collar. Sounds very fancy. But for her it’s a nuisance that she must wear for 10 days. She keeps bumping into things with it, and looking at me pleadingly to remove it. I try to compensate her, and assuage my own guilt, by giving her treats. Tonight she had some chicken liver with her dinner.


Profiles at the donut shop

I was back at the donut shop today, drinking coffee and drawing people. This time I went to a more crowded shop in another town so that I could see more faces. I also sat in a booth with a good view of people, instead of facing the lineup at the cash register.

This was one of those shops where everyone knew each other, so there was a lot of sitting around and gabbing, and lots of joking between different groups. For the sketches below, I always start the same way. I draw the line of the shoulders first and then fit the head on top of that. That really helps me to get the angles of the head and face. I don’t carry an eraser on these outings. If a line is in the wrong place, I just draw right over it and keep going.


People and dogs

I couldn’t get to the donut shop to draw today. Instead I spent a few hours doing a long overdue studio cleanup, and then set up for a short session of drawing practice, using my own photos as reference.

In an attempt to get better at putting people into urban scenes when I am sketching on location, I selected pedestrians from a series of photos I took last year when I was in the UK. I selected each of them because they were moving, and I tried to capture their motion. I’m hoping that if I do enough of these, when I have real people moving in front of me, I will having some drawing memory of how all the bits fit together. To that, I added some dogs, since I also want to get better at drawing dogs other than Alice.

And to all my American friends, Happy Thanksgiving! I hope you are enjoying a wonderful day with family and friends like we did last month on Canadian Thanksgiving.


30-second coffee

I love our new neighbourhood but it’s more rural than urban, and lately I’ve been missing having more opportunities to sketch people. Today I pushed myself out the door and drove to the local Tim Horton’s so I could sketch some people. But in an area where it’s more “country” than “city”, even the local donut shop is sort of empty.

Armed with a small sketchbook and a pencil, I set myself up at a table with a view of the cash register. As people stepped up to order, I drew them. Since a card transaction — from order to payment — usually only takes about 30 seconds, that’s how long I had to draw each person. I spent a bit of extra time adding shading as I waited for the next person to come into the shop. I was determined not to resort to drawing the glazed donuts, and also determined not to leave until I had 10 figures on the page. Here they are, smudges and all.

I always wonder if people notice when I am drawing them. The man on the far left with the pointy beard (below) was sitting there for as long as I was. Every time I tried to draw him, he looked at me. That is always an uncomfortable situation, as I try to pretend I am drawing something else. But there was no fooling him, even though my sketchbook was tilted up. At one point when I looked up, he looked at me and said “C’est beau, vos dessins.” Even though I don’t think he could really see my drawings, I appreciated the kind words and the acknowledgement that it was ok to draw him.


A podcast suggestion and, reluctantly, a Black Friday Week sale on online courses

I’m not quite sure how I found it (useless scrolling on social media, no doubt), but over the weekend I discovered a podcast called Ill-advised by Bill Nighy. I’ve long been a fan of his acting, and the podcast is laugh-out-loud funny. At the end of his first episode, Nighy offers a playlist and a book suggestion, recommendations which I enjoyed. In the “About” notes, he says the podcast is “for people who don’t get out much and can’t handle it when they do.” At the end, he acknowledges that people have busy lives and he wants you to feel free to ignore his podcast.

That’s sort of the way I feel about Black Friday promotions. And so, despite my reluctance to jump on the bandwagon, I’m having a Black Friday Week sale too. Here are the facts and, as Bill Nighy says, feel free to ignore them.

During Black Friday Week, this baker’s dozen of popular courses is priced at 30% OFF each for a full 8 days, with even bigger savings if you buy the entire bundle. My Black Friday sale ends at midnight ET on Sunday, November 30, 2025. To save, use the coupon code CARBONBLACK30 at checkout.


Pens need love

I haven’t done a pen drawing in a while and when I finally sat down to draw yesterday my good Pilot fountain pen was not performing as it should. I refilled the converter with ink and continued my drawing but it ran out of ink quickly and the flow of the pen was not great. It was time for a good cleaning.

I flushed it thoroughly with distilled water and refilled it again but it was still not working as I had hoped. So this time I went to the very trusty Goulet Pen website to see what I could do. I followed a long series of instructions to fill my particular converter — empty it, turn it again to prime it with ink, expel all the ink, then fill it partially, turn it this way and that — basically a series of clockwise and counterclockwise acrobatics for my pen. But it worked! The ink is flowing again, the lines are black, and there’s nothing like sitting down to do a drawing of Alice when the snow if falling outside my window and she is exhausted after a walk. Sketched in a tiny Etchr Hot Press sketchbook using a Pilot E95S pen and de Atramentis Document Black ink.


First snow

Winter arrived early this year. And stayed. We had an unexpected early snowfall — wet flakes that accumulated on branches still heavy with leaves. The power was out for a night and a day. Most of us were caught without our winter tires on. It was a little chaotic for a few days, as the start of winter always is.

Usually with an early blizzard like this, the snow would be gone in a day or two but it has stayed. And more snow has fallen. I might be the only person to appreciate this early winter. My wheelbarrows were not quite in the right position for painting but I set up a chair in front of my patio door and sketched them. I tried to convey the weight of that early snow on the surrounding evergreens, and the way the wheelbarrows are a bit hidden in the trees.


Liberty Bell Mountain

Some years ago, after teaching a workshop in Anacortes, WA, we planned to visit our son, then living in Kelowna, B.C. Our new Anacortes friends suggested we take the North Cascades Highway instead of the interstate, as it’s more picturesque. They were so right, and it turned out to be a terrific trip, as we encountered some spectacular landscapes of high granite peaks and turquoise lakes. I even found a bit of time to sketch along the way.

I’ve always wanted to go back to painting some of the scenes from that day. And recently, I had a good reason to go back. As part of my Peaks and Valleys launch week events, yesterday I used a quarter sheet to paint Liberty Bell Mountain, captured in a photo from that drive. If you’d like to see my process for painting this — from value sketch to drawing to final painting — I will be posting all the steps tomorrow in my launch week email update. If you’re not on my email list you can sign up here.

I hope you enjoy seeing the process as much as I loved revisiting that long-ago drive.


A few poppies and a poem for today

I always think of my dad on November 11. He would have been 100 this year, and was a WWII veteran, although he was too young to serve overseas during the war. Instead he was sent to northern Ontario to serve as a guard in a Japanese internment camp in Angler, Ontario. It’s an experience he talked about often with us, and I think of him often when I look at the inlaid wooden jewelry box that one of the internees made for him in appreciation of his compassion and empathy in that terrible situation.

In Flanders Fields
By John McCrae

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly

Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.


Peaks and Valleys: Sketching Mountains in Watercolour

There’s a lot going on these days. Last week I held my first local in-person workshop, and it was terrific fun. I’ll post about that soon. We also had our first (way too early!) snowfall yesterday. Just a sprinkling, actually, followed by a lot of freezing rain. But this morning there was still snow on the ground, so I am planning to get out there today to sketch a winter scene of some sort.

But the real news? Today I have a new online course on my school website.

I’m very excited to have just launched “Peaks & Valleys: Sketching Mountains in Watercolour“, based on the sketches I created following my recent trip to the French Alps. In this course, we sketch three of my favourite views: a sunlit granite peak all aglow after a storm; a range of snow-covered peaks at 14,000 ft., which I actually sketched following a breathtaking cable car ride; and, of course, the stunning snow-covered Mont Blanc from a valley view.

These scenes are all in the Alps, only because that’s where I happened to be this past summer. But in fact, the sketching techniques we cover can apply to any mountain scene. I just had a look back at some of my older sketchbooks from the Canadian Rockies, the Cascade Mountains in Washington State, as well as mountain ranges in Wyoming, Idaho and Utah. The methods and techniques are the same: tonal values, atmospheric perspective, colour temperature, edge control, etc. In the new course, we also discuss and try out the best brushes for creating those jagged peaks, and how to mix the best greens for near and distant valleys.

As always, there’s a special launch price on Peaks & Valleys: Sketching Mountains in Watercolour, valid this week only. Normally priced at $49 USD or $69 CDN, I’m discounting Peaks & Valleys​ to $42 USD or $59 CDN until midnight (ET) on Sunday, November 16, 2025. If you’d like to know more about this course, have a look at all the info and the course trailer here.