Half-sheet florals
Posted: September 3, 2025 Filed under: Uncategorized | Tags: bouquet, flower painting, sunflowers, watercolour flowers 28 CommentsDuring this summer’s hottest days, I worked on some large florals in my studio. Both of these bouquets come from Ferme Tournesol where I pick up my CSA baskets every week. If you are a subscriber to the basket program, you have the added bonus of being able to cut flowers from their large cutting garden.
The first bouquet I picked was mostly smaller flowers like zinnias and rudbeckias with some tiny stuff mixed in. Instead of painting this in my sketchbook, I took out a half sheet (22″ x 15″) of Arches CP 140 lb paper so that I could really have some room to draw all the details of the flowers. This one took most of a day, but we had our computer tech here installing software updates that day and I couldn’t work in my office anyway. It seemed like a real luxury to spend a full day on a painting.

This week I worked on another half-sheet one of some sunflowers I picked at the farm last Thursday. I did the drawing one day and two days later when I went back to paint it, the flowers had shrivelled considerably. I also noticed an unwanted guest. A large green caterpillar was chewing its way through the leaf on the far right of the painting. That was my incentive to finish this quickly.

Montreal workshops coming!
I’m excited to announce that I’ve finally found a bright and beautiful studio, located in Hudson, Quebec, where I can give watercolour workshops closer to home. So if you live nearby and want to be notified when there’s an opportunity to learn and paint with me, please fill in this form. Also note that these are one-day studio workshops and intended for people who live within driving distance of Montreal.
Deborah’s garden
Posted: August 9, 2025 Filed under: Uncategorized | Tags: flower painting, millford paper, St. Cuthberts Mill, watercolour 14 CommentsMy friend Deborah has an incredible garden — swathes of perennials, apple trees, carefully tended shrubs, exotic lilies and colourful annuals flowering in containers of different sizes. I think late July or early August is the best time to visit.
When I visited her last week I had a bit of time to paint in the garden, with Alice happily sleeping by my side. I chose to sit on a low stool and look right into the flower beds. Instead of focussing on one section of the painting, I tried to convey the beautiful pattern of daylilies (at my eye level) and daisies (a little above me).
I’ve been trying out some new stock: Millford watercolour paper from St. Cuthberts Mill in the UK. I bought a block a few weeks ago and have used it (and enjoyed it) a couple of times. You can read about the features of the paper in my link, but basically it is sized so that the paper stays wetter longer. As with all cotton papers from that mill, this is really nice to work on and it does indeed stay wetter longer even on a warm summer day.

Start with the greens
Posted: July 14, 2024 Filed under: Uncategorized | Tags: bouquet, flower painting, summer, watercolour painting 44 CommentsOnce again this year, along with my CSA basket subscription from Ferme Tournesol, I’ve subscribed to their flower bouquets. I think I get four throughout the summer and it’s always a wonderful surprise to see what’s under the paper wrapper when I get home from the farm. I can’t always identify everything but the flowers always look a bit wild, like something you might pick if you were walking along a country road. Definitely not what I bring home from the grocery store in the middle of winter. I added a few of my own white daisies to this bunch before I sketched them.
This particular bouquet has a lot of smaller flowers in it (except for the big sunflower) with lots of greenery in between each bloom. I decided to start the painting by tackling the greens first, since they are the connective tissue between the flowers. On my Holbein palette, I have Olive Green and Phthalo Green, so that was my starter mix. To that I added various yellows (Hansa and Lemon) and occasionally Alizarin Crimson when the mix was too bright. Once I painted the greens, I filled in the oranges, yellows and purples for the flowers.

















