The space between two buildings
Posted: December 9, 2025 Filed under: Uncategorized | Tags: ink and watercolour sketches, ink sketch, Pointe Claire, Pointe Claire Village, St. Joachim 17 CommentsWhat fun to go back to one of my favourite winter sketching spots: Église St. Joachim in Pointe Claire. In this -15C weather, of course I sketched from my car. It’s always a little difficult to balance the mechanics of it all. If I wear my warmest coat, it’s hard to keep the puffy sleeves from grazing the wet palette. And even with heavy boots on, I know I only have a limited time before I start to get too cold. But I guess I was well prepared because I was able to stay long enough to get the sketch done.
I don’t remember how often I’ve painted from this same vantage point but I’m always attracted to the patch of sky between the church and the presbytery. If you were to walk through that bit of snow-covered lawn, you would see a frozen Lac St. Louis just beyond it. The vast open space behind the buildings, as well as the brightness of the snow-covered lake creates a wonderfully lit backdrop for the buildings. Sketched in my Hahnemuhle 100% cotton sketchbook.

Worth the drive
Posted: July 16, 2024 Filed under: Uncategorized | Tags: boat painting, boats, Pointe Claire, Pointe Claire Yacht Club, watercolour 20 CommentsEven though I now live a little further away from the boat club in Pointe Claire, it’s still worth the drive to sit under a willow tree and paint the masts and the sail covers at the boat club. Even on a very humid day.
I love the complexity of this scene, and of boats in general, and I’ve missed painting them. For a composition like this, after my initial pencil drawing, I start by painting the bigger shapes first: sky and water. And then, because all the colourful darks of the sail covers are somewhat connected, I paint those next. That sets up the light/dark contrasts. My third section is to paint the boat hulls and reflections with a variety of middle values. And the last — but probably the longest part of this — is to get lost in the details. First the masts, and then the shapes in between the sail covers. I use an inlaid liner for those small details, starting with dark paint and finishing with Titanium White watercolour.

















