Seven days in Alsace
Posted: August 21, 2026 Filed under: Uncategorized | Tags: Alsace, travel sketchbook, travel sketching, watercolour sketches 18 CommentsI’ve finally found a bit of time to scan all the sketchbook pages from my July teaching trip in Alsace. (And yes, my trusty scanner is back at work, thanks to a new adaptor cord.)
Despite several trips to Strasbourg over the past decade (a good friend lives there), I had never had the opportunity to explore the Alsatian villages along La Route des Vins. Well, let me tell you it’s an extraordinary area. Vineyards as far as the eye can see! And, as if created just for sketchers, these vineyards are often steeply banked so they form a dramatic backdrop to nearly every village we visited.

Our visit coincided with La Fête Nationale (Bastille Day)—the biggest holiday on the French calendar. Sadly, though, it was too dangerously dry for the traditional fireworks, but folks were having fun anyway. In the village of Riquewihr (above), they were busily packing up tables and chairs from last night’s party.

With their timbered houses and cobbled streets, each village we visited in Alsace vied with its neighbour for charm and grace. In Bergheim, we sketched a backlit street scene and reflections in windows.

When we’d had our fill of half-timbered houses, we turned to gardens and to families of giant storks whose nests adorn many chimney tops throughout Alsace.

One day, we ventured to the Ecomusée d’Alsace, which offers a wealth of old buildings and artefacts from rural life—all of them ideal sketching subjects. In fact, when it rained in the afternoon and we had to take shelter in some of the historic buildings, including a blacksmith’s and a pharmacy, we just kept on sketching.

In the shelter of the museum gift shop, I did an ink drawing of this little stone building and the lush flower pots in front, and added colour later.

I was lucky to visit the village of Ribeauvillé twice—once with the group from the Rhine Cruise and once with my Alsace group. The spread above combines two demos from different days. I started with the fountain and window on the right, and then extended the panorama with a row of houses the following week.

Of course, it was absolutely necessary to add grapevines to our sketchbooks, alongside little stone and buildings and a belfry.

My favourite view (see below) was from the vineyards high above the town. You get a real sense of the hilly landscape in Alsace, where so much land is given over to growing grapes.

On our final days in Alsace, we took a day trip to Strasbourg, where we sat along the canal and drew the large timbered houses of La Petite France.

As it turns out, you can get an awful lot of sketching in when you do it every day for a week. I think we captured pretty much everything: The near and far; homes, steeples and shops; birds and plants; quite of few villagers—and lots and lots of history. The only thing is missing is the food, but I am not really a food sketcher (I’d rather eat what’s in front of me than let it get cold).
As always, my heartfelt thanks to French Escapade for taking us to such great places, and of course to the wonderful students in the group. We had so much fun together, didn’t we?
Tra Que Herb Village
Posted: April 28, 2026 Filed under: Uncategorized | Tags: Hoi An, travel sketching, urban sketch, Vietnam, watercolour sketch 7 CommentsOne of the things I loved best about the food in Hoi An was that with almost any dish that you ordered, there was an accompanying plate of fresh herbs that you could add to soups and noodles or roll into Bánh xèo. The herbs often included basil, mint and coriander, but on the plate there were also greens that I had never seen and that made every dish so tasty.
One of our first bus outings was to Tra Que Herb Village. I was really looking forward to learning more about (and drawing!) the mysterious and delicious herbs. From our shaded spot we looked out into the gardens to draw the fields, the farmers and the surrounding houses. I hope I conveyed the steamy heat that we felt as we drew.

I asked for and was really hoping that someone would give us a tour of the garden or pick a selection of herbs that we could draw for our sketchbook pages, but that didn’t work out as expected. Later in the week I filled the space on that spread with a sketch (using Inktense pencils) of a utility pole that echoed the poles in the field. It’s not the herbs I was hoping for but those poles and wires are so much fun to draw!

Inside outside
Posted: April 24, 2026 Filed under: Uncategorized | Tags: Hoi An, travel sketching, urban sketch, Vietnam, watercolour sketch 11 CommentsWe arrived in Vietnam late at night, so it wasn’t until the next day that I could really see what Hoi An looked like. When I threw open the blackout curtains on our first morning I saw two things. The first view of the manicured hotel grounds was directly below our balcony: a turquoise swimming pool surrounded by lounge chairs, lush greenery, silk lanterns and a poolside bar. The second view — beyond the hotel — was the Vietnam that I had been looking forward to seeing (and sketching): a bustling street with noisy scooters flying by, an outdoor restaurant with tiny red stools, construction workers wearing Nón Lá (the conical Vietnamese bamboo hats), all of it lit by a hazy orange sun coming up in the sky. In preparation for my first day of teaching, I sat in the shade of our hotel entrance to draw this busy scene.

On the first morning of the tour, my group and I drew this view together. For this one I used ink instead of pencil for the initial drawing, and I also simplified the composition.

Note: I do not recommend the tour company that hosted my group. If you are thinking of going to Vietnam on a sketching trip, please email me privately for more details.
Motif #1 and #2
Posted: July 21, 2025 Filed under: Uncategorized | Tags: cape ann, motif #1, rockport, travel sketching 18 CommentsGo ahead and type “Motif #1 painting” in your search engine. You’ll find hundreds of paintings and sketches of this iconic red Rockport fishing shack. I’ve painted it many times myself, from different viewpoints. Last week, during my warm-up sketching days before my workshops at Slow River Studio in Topsfield, I sketched it from the left side — an angle that was new to me. I drew first with my Lamy pen that’s filled with water-soluble copper ink and then added some light washes on top. This ink dissolves almost completely into the watercolour but if you’re painting a red building, it sort of works in your favour by melting into the red/brown washes.

Later in the week, it was also the subject of one of my workshop demos, although this time we sketched it from the front. If you are sitting on the end of the town wharf, the morning light on the building is ideal. As for what red to choose for this, I used a combination of Alizarin Crimson and Burnt Sienna, adding a little Violet to the mix for the shadows. The actual paint on the building is a flat reddish brown, more like Indian Red, but I don’t have that on my palette (too opaque!) so this was my solution.


















