Motif #1 and #2

Go ahead and type “Motif #1 painting” in your search engine. You’ll find hundreds of paintings and sketches of this iconic red Rockport fishing shack. I’ve painted it many times myself, from different viewpoints. Last week, during my warm-up sketching days before my workshops at Slow River Studio in Topsfield, I sketched it from the left side — an angle that was new to me. I drew first with my Lamy pen that’s filled with water-soluble copper ink and then added some light washes on top. This ink dissolves almost completely into the watercolour but if you’re painting a red building, it sort of works in your favour by melting into the red/brown washes.

Later in the week, it was also the subject of one of my workshop demos, although this time we sketched it from the front. If you are sitting on the end of the town wharf, the morning light on the building is ideal. As for what red to choose for this, I used a combination of Alizarin Crimson and Burnt Sienna, adding a little Violet to the mix for the shadows. The actual paint on the building is a flat reddish brown, more like Indian Red, but I don’t have that on my palette (too opaque!) so this was my solution.


Upper Town Dock

Upper Town Dock is my kinda subject. Reflections, pilings, lobster traps, rusty drums and yellow ropes. And only one surly fisherman who thought that the town dock was no place for sketchers. Despite that, this was one of my favourite locations in a fantastic week of teaching on location with Madeline Island School in Bar Harbor, Maine. We were lucky with the autumn weather too — one day of rain followed by four glorious sunny (and cold) days.

It can be chilly in Maine in October, but I appreciate that everyone in my group came prepared with layers of sweaters and jackets, hats and gloves, and also that no one complained about the cold or left early. (Maybe they read my post from September about having to buy a hat and gloves in North Norfolk!)

We talked a lot during the workshop about using limited palettes in watercolour, and that’s mostly what I used here — a blue, a yellow, a bit of burnt sienna, and then just a few dots of red at the end. More Maine sketches coming tomorrow!