The second posePosted: February 25, 2015
You can probably imagine what the most difficult part of this pose was for me. I was looking at Nancy’s face from below and on the side, and it was so hard to draw. As I mentioned in my post from Monday, Nancy has a tiny face with delicate features. They are even harder to draw when she’s in a prone position, so for this I tried to focus on two things: 1. that beautiful line of her hip against the background and 2. grouping the shadows on her body into big shapes. I’ve been reading Don Andrews book Interpreting the Figure in Watercolor. He uses a technique that he calls linkage, where he unites all the shadow shapes into one. It seems easy in theory but in practice it’s not, because the transitions from light to dark are very subtle on the curves of the body, unless there’s a cast shadow. I imagine the light he uses on his figures is much sharper than what we are dealing with in our life drawing room.