Post Porto blues

If you’ve ever been to an Urban Sketchers Symposium, you’ll understand what I mean when I say that for a sketcher it is the most wonderful, the most chaotic, and often the most unforgettable event that you’ll ever experience. Imagine what it’s like to see more than 800 sketchers gathered in one city! Someone described it as an annual pilgrimage, and that seems like a pretty apt description to me.

This year’s event took place in Porto, Portugal. It was my sixth symposium, fifth as a workshop instructor, and it was by far the largest event to date. From morning ’til night, no matter where you walked in the city, there were sketchers. Sprawled out on the sidewalk drawing the most incredible sketches of the colourful houses that faced the main symposium venue, in the bars and restaurants at night, sketching their food, their drinks and each other, down alleyways, in churches, and of course in the famous tiled Sao Bento Railway Station.

Of course an event like this doesn’t just happen. It takes a small army of volunteers to organize it and make sure it runs smoothly, and the planning for that starts a full year ahead of time. From the USK board of directors, to the local organizers in Porto, to the education team who read and selected all the instructors, to the volunteers who accompanied each instructor to their teaching location, I am grateful to everyone who put time and effort into making this a truly memorable few days.

Partway through the symposium, someone suggested that the event should be in Porto every year because there’s so much to sketch. So true! It’s a small enough city that you get to know your way around rather quickly. And with the Douro river running through it and colourful buildings clinging to both sides of the riverfront, there’s no end of stuff to sketch. The steep hills and pedestrian bridges provide panoramic viewpoints, and as one of Portugal’s main tourist destinations, there’s no shortage of people to draw.

I always try to arrive a few days early to sketch in my workshop location, and this year it was especially important since my subject was sketching light, colour and shadow in Porto’s narrow spaces. I spent several days in the area around the Rua dos Armazens, even returning to my spot at different times of the day to find places where the light would be just right for both morning and afternoon sessions. The extra planning was worth it, but it also meant that I left Porto feeling like there was so much I hadn’t seen or sketched!

As always, the artistic ability of participants at a symposium is very high and it was a true honour to  have been selected as an instructor. For once I managed to take lots of photos during my three workshops. Please take note of my favourite: the one of the chef from a restaurant next to my workshop location who watched us every day and then emerged from his tiny kitchen at the end of our last session with a basket of hot Bolinhos de bacalhau (cod fritters) to offer to the whole (hungry) group. That pretty much summarizes the warmth of all the Portuguese people I met both in Porto and later in Lisbon.

If you are interested in seeing all the stunning work that was done at the event, both by workshop participants or by people who were in the city to sketch on their own or with friends, have a look on Facebook or Instagram using the hashtag #uskporto2018. You’ll see what I mean.

 


13 Comments on “Post Porto blues”

  1. Anne Percival says:

    Well said Shari……and you forgot to add that the weather was perfect!

  2. monique says:

    It was fun to watch! Loved seeing it and the energy is fabulous..Saw everyone gathered for the announcement of the next one..:) So much talent..It has to be life changing every time.

  3. Margriet Bunger says:

    Thank you for great posts! It’s almost like having been there….
    And now….. up to Amsterdam!!!

  4. Sherri Skrivanos says:

    I am interested in the “lap set up” I see in some of the pics. Is that something you cover in one of your online courses? If not, could you think about doing a blog post to talk about that at some point? I’ve seen easel set ups, but something specifically for sitting.

    • HI Sherri. Some people have wonderful lap set ups. Unfortunately I am not one of those people because I work on an easel or with my sketchbook in my hand. Have you seen Stephanie Bower’s setup? She has devised a great system and I’m sure you can find it by poking around on her blog. Many people use it. http://stephaniebower.blogspot.com

  5. Just wonderful, bravo!

  6. Judy Sopher says:

    Went to Facebook-what a wonderful body of work. One after another–so lovely. So talented. And thank you for posting all this. Its been fun following your travels.

  7. joantav says:

    Porto was such a great place to have the Symposium. I was there for 10 days in all and feel like I barely touched the surface of it. lol There are so many sketches I’ve seen that I look at and say “How did I miss that location?” It sounds like you really loved Porto too.


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