Two urns and some sunflowers
Posted: September 25, 2025 Filed under: Uncategorized 13 CommentsI’m still scanning the last few pages of my almost completed Hahnemuhle sketchbook. Here are a few from my recent workshop at Hudson River Valley Art Workshops. You don’t have to go very far to find subjects on the workshop grounds of the Greenville Arms 1889 Inn. The gardens and studio buildings are beautiful and there are plenty of small subjects that you can compile to make a page of vignettes. In fact, my first demo was of the rusty urn just outside our studio.

It turns out that I am not the only one who found the urn appealing. A few days ago I received an email with the subject heading “The dreaded urn”. Sue, one of my workshop participants, sent me a scan of a very beautiful half-sheet painting of the very same urn, painted by Skip Laurence (one of my teachers) that she found in his book “Painting Light and Shadow in Watercolor”. I haven’t opened the book in quite some time but I found the reproduction and scanned it here. It is in fact, the very same urn, painted more than two decades ago! Thanks for this, Sue!

Dusky Alice
Posted: September 23, 2025 Filed under: Uncategorized | Tags: Alice, Charcoal brush, Procreate 16 CommentsAlice is very happy for the cooler autumn weather. She’s way more energetic on her walks and this week we’ve returned to our trails now that it’s less buggy in the woods. She’s so happy to be reunited with the other dogs that walk there too, and when we get home she’s ready for a long nap.
Before I sketched, I updated the Procreate app on my iPad to the new Procreate 5.4. If you are a Procreate user, you may already know that there are 18 new brush sets on there, including gouache, oil, watercolour, ink and charcoal sets.
While Alice was napping, I tried out the Dusky charcoal brush. I’m not a very sophisticated Procreate user. I just like to use the drawing tools like I would the tools in my studio: draw with them, erase if I can, and try to figure out how closely they replicate their analog versions. This Dusky charcoal brush is really nice. If I hold my Apple pencil upright, I get a defined line. If I use the side of the pencil, I get smudge marks, as if I was using one of those stump blenders. And since I often draw on my iPad when I don’t have much time, the best thing about this is that I don’t have to hunt around in my studio for paper and charcoal, plus my fingers are clean at the end.
Alice moved her paws while I was drawing her so I don’t think I got that front paw quite right. I tried to put it back in place but she would have none of it. You know what they say about sleeping dogs…

Two recipes
Posted: September 21, 2025 Filed under: Uncategorized 24 CommentsEvery week when I drive out to Ferme Tournesol to pick up my CSA basket, I choose vegetables with both cooking and painting possibilities in mind. Beets are always a favourite because they come with their greens intact, and I love how the dark, velvety beets look next to the red stems and the green leaves.
My painting recipe for the beets is to use Holbein Umber along with Alizarin Crimson, Ultramarine Blue, Hooker’s Green and a bit of Raw Sienna. The stems are mostly Alizarin and Ultramarine (in the dark areas). The bright green foliage is Hooker’s Green, Ultramarine and Hansa Yellow. This was painted with a very juicy brush on a half sheet of Arches Rough paper.
My (abbreviated) soup recipe is from my favourite Deborah Madison cookbook “Vegetarian Cooking for Everyone”, page 203. It uses not only beets but leeks and turnips that were in my basket this week. Make a stock from whatever vegetable bits you have around plus the beet skins and onion or leek tops. Cook the onion or leek in butter, add chopped beets and turnips and a bit of salt. Cook for 5 minutes. Strain the stock (you need 6 cups) and add it to the vegetables, cooking until tender. Add the chopped beet greens and some lemon juice. Serve with chopped fresh dill, pepper, and a spoonful of sour cream or yogourt.

Olana, home of Frederic Church
Posted: September 19, 2025 Filed under: Uncategorized | Tags: Frederic Church, Hudson River Valley, Hudson River Valley Art Workshops, lettering, Olana, sketchbook 19 CommentsYou really do need multiple sketches to properly convey Olana, home of the Hudson River School artist Frederic Church. (I spelled his name incorrectly in my sketchbook, as I just found out!) First of all, the Persian-inspired home is on top of a hill, with views of the Hudson River Valley, the Catskills and four states, on a clear day. It’s best to walk down to a lower level on the property to capture its position on that upper ridge. But if you do that, you have your back to the Hudson, and you need to get that in there too, because the early autumn panorama from the top is quite spectacular too. Once you’ve sketched the distant views, you also need to record the details of the moorish-inspired architecture. I could have completed another spread just of arched windows, inset doors, tiled chimneys, ornate brickwork and stencilled borders but I only had room for a few on my page.
This sketch may not look great if you are looking at it on a phone because I used a double-page spread in my sketchbook, so the final size is quite large: 22″ x 8″. But the location was so grand that I needed a lot of room to really tell the story of the place, and for that I needed both sides of the book.
My students also did some amazing work at Olana. It’s a very welcoming place for artists, as you might imagine. I’ll be teaching again at Hudson Valley Art Workshops next August. If you want to join the group, I’m pretty sure we’ll go back to Olana. We had a really wonderful week with Kim and her team at Greenville Arms, and registration is already open here.

1870s Firehouse
Posted: September 16, 2025 Filed under: Uncategorized | Tags: Coxsackie, firehouse, ink and watercolour sketches, urban sketching 23 CommentsI’m just back from a near-perfect week of sketching in upstate New York with a really fun and talented group at Hudson River Valley Art Workshops in Greenville. We hopped all over the place during the week, and our sketching stops included a visit to Olana and a day at a horse rescue farm. We also spent some time in the quiet village of Coxsackie where we sketched this 1870s firehouse, which is now an antique shop. I loved the mannequins in the upper floor. If you ever find yourself in this part of the state and are looking for a place to sketch, check out the town. There are great storefronts and very few parked cars to block the view. Tomorrow: more sketches from our week together.

Half-sheet florals
Posted: September 3, 2025 Filed under: Uncategorized | Tags: bouquet, flower painting, sunflowers, watercolour flowers 28 CommentsDuring this summer’s hottest days, I worked on some large florals in my studio. Both of these bouquets come from Ferme Tournesol where I pick up my CSA baskets every week. If you are a subscriber to the basket program, you have the added bonus of being able to cut flowers from their large cutting garden.
The first bouquet I picked was mostly smaller flowers like zinnias and rudbeckias with some tiny stuff mixed in. Instead of painting this in my sketchbook, I took out a half sheet (22″ x 15″) of Arches CP 140 lb paper so that I could really have some room to draw all the details of the flowers. This one took most of a day, but we had our computer tech here installing software updates that day and I couldn’t work in my office anyway. It seemed like a real luxury to spend a full day on a painting.

This week I worked on another half-sheet one of some sunflowers I picked at the farm last Thursday. I did the drawing one day and two days later when I went back to paint it, the flowers had shrivelled considerably. I also noticed an unwanted guest. A large green caterpillar was chewing its way through the leaf on the far right of the painting. That was my incentive to finish this quickly.

Montreal workshops coming!
I’m excited to announce that I’ve finally found a bright and beautiful studio, located in Hudson, Quebec, where I can give watercolour workshops closer to home. So if you live nearby and want to be notified when there’s an opportunity to learn and paint with me, please fill in this form. Also note that these are one-day studio workshops and intended for people who live within driving distance of Montreal.
Droopy bouquet
Posted: September 2, 2025 Filed under: Uncategorized | Tags: bouquet sketch, Delta series, ink drawing, pen sketch, stillman & Birn 12 CommentsIn the over-stuffed bag of art supplies that we all received from generous sponsors at the Poznan symposium was this tiny Stillman & Birn Delta Series sketchbook. The Delta series contains thick ivory-coloured paper and the small size book is perfect for tucking into even the smallest bag that I carry on daily errands. It’s been an overly busy summer but I am trying to keep up the daily drawing habit, and there are no excuses when you always have the book with you. It took a couple of tries to find the right pen to use with this but the winner is a Pilot Juice Up 0.3 gel pen. The roller ball nib glides beautifully on this paper, and the fine tip is ideal for even the tiniest of flowers in my droopy bouquet.

Sketches from the Poznan symposium
Posted: August 30, 2025 Filed under: Uncategorized | Tags: Poznan, Stary Rynek, Urban Sketchers Symposium, watercolour sketch 17 CommentsIf you read my previous post, you know I had some trouble sketching in Berlin. Happily, that changed once I arrived in Poznan, Poland, for the Urban Sketchers Symposium.
If you follow the social media accounts of other sketchers who were there (and there were hundreds, both registered for the event or just there to sketch with friends) you would have seen a multitude of sketches from Stary Rynek, the Old Market Square in Poznan. The centrepiece of the square is the Renaissance town hall, but the square is lined with colourfully restored ornate buildings, restaurants, huge umbrellas, and crowded with people at almost any time of day or night.
For my first sketch I chose the fisherman’s houses — narrow buildings decorated with geometric designs and elaborate medallions. I sketched quite early in the day before the crowds arrive, but by noon this part of the square filled up with hundreds of people with necks craned and cameras pointed at the town hall, waiting for the two goats that come out from the tower twice a day to butt heads. Goats are a theme in Poznan. I wish I had added a few to my sketchbook pages, but there wasn’t much time left after teaching.

For my workshop location, I chose the quieter side of the square where I found some shade, a few benches, a water spout and a respite from the crowds. From there, we faced one of the most beautiful facades on the square — the 18th century eagle-topped Działyński Palace, which escaped damage during World War II.

On one afternoon I had a bit of time to sketch on my own before the event started. I found a shady corner to paint the late day crowds on the square.

It’s hard to summarize what it’s like to attend an Urban Sketcher’s symposium. In between teaching, reconnecting with old friends, meeting new people, attending lectures, taking workshops, touring booths at the art market and running between various locations, there’s barely time to breathe. But it’s also the most inspiring and exciting sketching event I have ever attended, and that is true for all 8 I have been to. I don’t have enough adjectives to describe the talent and skill level of sketchers who attend the event or who come on their own as independent sketchers.
Organizing a USk symposium is a gargantuan task, and I send out a huge thank you to the many, many local volunteers who organized all the events, proudly showed us around the city, led us to our locations, stood by while we taught, distributed supplies and fended off curious bystanders. A big thank you also goes out to all of the event sponsors and especially my workshop sponsor — Winsor & Newton — who generously supplied pencils, paper and many tubes of paint!
As always, it takes a long time to come down from the high of an event like this. It was the same way I felt after my first symposium in 2012 and after every one I’ve attended since. I have a drawer full of new supplies to try, a stack of new books to read, a head full of ideas, and many months of winter ahead of me in my studio to practice what I’ve learned in Poznan. If you were one of the lucky people who was there too, I hope you enjoyed it as much as I did.
Out of lines in Berlin
Posted: August 28, 2025 Filed under: Uncategorized | Tags: Berlin, Berlin sketches, Trabant sketch 33 CommentsI’ve been thinking about Berlin a lot lately. We just returned from the Urban Sketchers Symposium in Poznan, Poland (more about that in another post) but before that we spent 6 days in Berlin.
I had great plans to sketch all the famous monuments in the city: The Brandenburg Gate, the Berliner Dom, the Reichstag building and Norman Foster’s glass dome. But we were there during a heat wave and by the time I recovered from jet lag, it was way too hot to sit outside.
I suppose I could have pushed myself to go out very early in the morning to sketch, but I didn’t. I had very little motivation to sketch while I was there, and it was only days later, after we left the city, that I realized why. Besides the oppressive heat that made it impossible to breathe outdoors, I think I was rendered sketchless by the weight of history in that city. In the central section of Potsdamer Platz where we were staying, reminders are on every corner in the form of educational posters and plaques, in the remaining sections of the Berlin Wall, in museum panels, even in the cobblestones you are walking on. On one of our first days there we stopped to try the famous currywurst at an outdoor stall on a busy corner. I drew the most colourful thing I could find — the famous East German Trabant car at Trabiworld, and only later did I find out that from our outdoor seats, we had our backs to the former site of Gestapo and SS security headquarters.

As the days went on, I became more and more overwhelmed by the heat and the history. One day I sat at the edge of a park in Kreuzberg and barely managed to eke out a few monochrome sketches.

I think if I go back to Berlin, I will be more prepared next time. I will try to go when the weather is cooler, but I will also be more aware of how it’s not just what you are seeing that colours your view of a place. It’s also what you are feeling, and you have to pay attention to that too.
Deborah’s garden
Posted: August 9, 2025 Filed under: Uncategorized | Tags: flower painting, millford paper, St. Cuthberts Mill, watercolour 14 CommentsMy friend Deborah has an incredible garden — swathes of perennials, apple trees, carefully tended shrubs, exotic lilies and colourful annuals flowering in containers of different sizes. I think late July or early August is the best time to visit.
When I visited her last week I had a bit of time to paint in the garden, with Alice happily sleeping by my side. I chose to sit on a low stool and look right into the flower beds. Instead of focussing on one section of the painting, I tried to convey the beautiful pattern of daylilies (at my eye level) and daisies (a little above me).
I’ve been trying out some new stock: Millford watercolour paper from St. Cuthberts Mill in the UK. I bought a block a few weeks ago and have used it (and enjoyed it) a couple of times. You can read about the features of the paper in my link, but basically it is sized so that the paper stays wetter longer. As with all cotton papers from that mill, this is really nice to work on and it does indeed stay wetter longer even on a warm summer day.

















