Sketches from the Poznan symposium
Posted: August 30, 2025 Filed under: Uncategorized | Tags: Poznan, Stary Rynek, Urban Sketchers Symposium, watercolour sketch 17 CommentsIf you read my previous post, you know I had some trouble sketching in Berlin. Happily, that changed once I arrived in Poznan, Poland, for the Urban Sketchers Symposium.
If you follow the social media accounts of other sketchers who were there (and there were hundreds, both registered for the event or just there to sketch with friends) you would have seen a multitude of sketches from Stary Rynek, the Old Market Square in Poznan. The centrepiece of the square is the Renaissance town hall, but the square is lined with colourfully restored ornate buildings, restaurants, huge umbrellas, and crowded with people at almost any time of day or night.
For my first sketch I chose the fisherman’s houses — narrow buildings decorated with geometric designs and elaborate medallions. I sketched quite early in the day before the crowds arrive, but by noon this part of the square filled up with hundreds of people with necks craned and cameras pointed at the town hall, waiting for the two goats that come out from the tower twice a day to butt heads. Goats are a theme in Poznan. I wish I had added a few to my sketchbook pages, but there wasn’t much time left after teaching.

For my workshop location, I chose the quieter side of the square where I found some shade, a few benches, a water spout and a respite from the crowds. From there, we faced one of the most beautiful facades on the square — the 18th century eagle-topped Działyński Palace, which escaped damage during World War II.

On one afternoon I had a bit of time to sketch on my own before the event started. I found a shady corner to paint the late day crowds on the square.

It’s hard to summarize what it’s like to attend an Urban Sketcher’s symposium. In between teaching, reconnecting with old friends, meeting new people, attending lectures, taking workshops, touring booths at the art market and running between various locations, there’s barely time to breathe. But it’s also the most inspiring and exciting sketching event I have ever attended, and that is true for all 8 I have been to. I don’t have enough adjectives to describe the talent and skill level of sketchers who attend the event or who come on their own as independent sketchers.
Organizing a USk symposium is a gargantuan task, and I send out a huge thank you to the many, many local volunteers who organized all the events, proudly showed us around the city, led us to our locations, stood by while we taught, distributed supplies and fended off curious bystanders. A big thank you also goes out to all of the event sponsors and especially my workshop sponsor — Winsor & Newton — who generously supplied pencils, paper and many tubes of paint!
As always, it takes a long time to come down from the high of an event like this. It was the same way I felt after my first symposium in 2012 and after every one I’ve attended since. I have a drawer full of new supplies to try, a stack of new books to read, a head full of ideas, and many months of winter ahead of me in my studio to practice what I’ve learned in Poznan. If you were one of the lucky people who was there too, I hope you enjoyed it as much as I did.
Out of lines in Berlin
Posted: August 28, 2025 Filed under: Uncategorized | Tags: Berlin, Berlin sketches, Trabant sketch 33 CommentsI’ve been thinking about Berlin a lot lately. We just returned from the Urban Sketchers Symposium in Poznan, Poland (more about that in another post) but before that we spent 6 days in Berlin.
I had great plans to sketch all the famous monuments in the city: The Brandenburg Gate, the Berliner Dom, the Reichstag building and Norman Foster’s glass dome. But we were there during a heat wave and by the time I recovered from jet lag, it was way too hot to sit outside.
I suppose I could have pushed myself to go out very early in the morning to sketch, but I didn’t. I had very little motivation to sketch while I was there, and it was only days later, after we left the city, that I realized why. Besides the oppressive heat that made it impossible to breathe outdoors, I think I was rendered sketchless by the weight of history in that city. In the central section of Potsdamer Platz where we were staying, reminders are on every corner in the form of educational posters and plaques, in the remaining sections of the Berlin Wall, in museum panels, even in the cobblestones you are walking on. On one of our first days there we stopped to try the famous currywurst at an outdoor stall on a busy corner. I drew the most colourful thing I could find — the famous East German Trabant car at Trabiworld, and only later did I find out that from our outdoor seats, we had our backs to the former site of Gestapo and SS security headquarters.

As the days went on, I became more and more overwhelmed by the heat and the history. One day I sat at the edge of a park in Kreuzberg and barely managed to eke out a few monochrome sketches.

I think if I go back to Berlin, I will be more prepared next time. I will try to go when the weather is cooler, but I will also be more aware of how it’s not just what you are seeing that colours your view of a place. It’s also what you are feeling, and you have to pay attention to that too.
Deborah’s garden
Posted: August 9, 2025 Filed under: Uncategorized | Tags: flower painting, millford paper, St. Cuthberts Mill, watercolour 14 CommentsMy friend Deborah has an incredible garden — swathes of perennials, apple trees, carefully tended shrubs, exotic lilies and colourful annuals flowering in containers of different sizes. I think late July or early August is the best time to visit.
When I visited her last week I had a bit of time to paint in the garden, with Alice happily sleeping by my side. I chose to sit on a low stool and look right into the flower beds. Instead of focussing on one section of the painting, I tried to convey the beautiful pattern of daylilies (at my eye level) and daisies (a little above me).
I’ve been trying out some new stock: Millford watercolour paper from St. Cuthberts Mill in the UK. I bought a block a few weeks ago and have used it (and enjoyed it) a couple of times. You can read about the features of the paper in my link, but basically it is sized so that the paper stays wetter longer. As with all cotton papers from that mill, this is really nice to work on and it does indeed stay wetter longer even on a warm summer day.

No place like home
Posted: August 4, 2025 Filed under: Uncategorized | Tags: Alice sketch, dog drawing, ink drawing, pen drawing 9 CommentsAlice is tired today and catching up on some rest. She swam on the weekend when we visited friends at their lakeside cottage, and it’s more activity than she’s used to.
In the summer she can’t run in the woods because of the tick problem. Instead she walks with me on the boring suburban streets, and it’s just not the same type of running and jumping over logs that she likes, and that keeps her in really good shape. So when she does get to run free and to swim, she has to recover for a few days afterwards.
I drew Alice today with two Pilot fountain pens: one extra-fine point filled with grey ink and one fine point filled with Platinum Carbon ink, in my Hahnemuhle portrait format A4 sketchbook. I didn’t have to go far to find her in the house. As always, she is by my side, whether I am in my office, working in my studio, or cooking in the kitchen. I have travelled a lot these past few months and feel quite bad about leaving her with our dog sitter when I go, even though she is lovingly cared for there. But of course, when I return, I can see that she is happiest here, on our daily walks, or in the house going from room to room and bed to bed.

Fisherman’s friend
Posted: July 30, 2025 Filed under: Uncategorized | Tags: boat painting, Chania, Crete, Greece, plein air painting 13 CommentsAs much as I try to complete a painting on site, it’s not always possible. Here’s one from our trip to Crete in the spring. I started this on location in April but was interrupted when a sponge seller on another boat docked in front of me. Apparently I was in his spot, but he politely waited while I packed up my gear.
Before the sponge boat pulled in, I was happily painting this scene of a fisherman untangling his nets and chatting with a friend. I witnessed this often in the morning in Chania. Usually two fisherman in side-by-side boats, having coffee, and working on their nets. I’m not sure if they were just coming in or on their way out but I suspect it was the former. This time the conversation was between the friend on the pier and the fisherman just below. In a scene like this I always try to draw the figures first in case they move away. The boats are likely to stay there longer so I draw them second.
As I mentioned, I always prefer to finish the painting on site but this time it wasn’t possible. I brought the watercolour home and it sat on my drawing table for months. It was really only missing details of nets, rigging and some waves in the water, so I added those in this week. Hopefully it still has the freshness of a scene painted in the early morning in one of my favourite places in Greece.

Cape Ann paintings and a lesson learned
Posted: July 26, 2025 Filed under: Uncategorized | Tags: cape ann, gloucester, Halibut Point State Park, plein air painting, rockport, rocky neck, watercolour 22 CommentsOn my first morning in Rockport, I rushed down to the harbour to paint. I have a favourite bench in a shady spot, a little bit away from the pedestrian traffic of Bearskin Neck. It’s fitting that my first painting in the town this year was of the visitor’s centre across the water. That was where I did my first boat sketch of Rockport all those years ago, and where my love of Cape Ann began.
It was a misty day when I painted this one, but the lack of light and shadow is offset by the multitude of shapes in the harbour. I can always find something to paint in Rockport.

I also spent a very hot morning painting at Halibut Point State Park, again in a shady spot across from a visitor’s centre. I love the description of the park on the Mass.gov link: a granite edge between the Atlantic Ocean and the mainland. It’s those granite edges of the former quarry that make painting there such a challenge, especially on a calm day when the rock reflects in the reservoir. Truly a place of quiet beauty when sometimes the only sound is of flapping gull wings in the still water.

I also returned to one of my favourite Gloucester painting spots: the view of Low Tide Yacht Club on Rocky Neck. Again, a favourite bench, a misty morning, the tide coming in, and no lack of shapes to paint. This one comes with a near-disaster and lesson learned: don’t take the tape off the painting until you are indoors. As you can imagine, that is not what I did. I won’t get into all the details, but the short story is that the tape came off, the wind grabbed the painting which was only lightly clipped to the plexi board, the painting landed upside down about an inch from the incoming tide and I managed to rescue it from floated away before the next gust of wind came along. This also included a fair bit of shrieking and scrambling down rocks. A story with a good ending but as I mentioned: a lesson learned.

Pigeon Cove and some new paper
Posted: July 23, 2025 Filed under: Uncategorized | Tags: cape ann, millford paper, pigeon cove, st cuthberts mill, watercolour 5 CommentsEach time I go to Cape Ann, I return to my favourite painting spots. I don’t always have time to sketch but I take lots of photos so that I can continue painting when I get home. This time, besides returning to Pigeon Cove, I also returned home with some new paper: a block of Millford watercolour paper from St. Cuthberts Mill.
I’ve been reading about this paper and seen a few people using it online. One of my favourite watercolour sheets is Saunders Waterford paper, and this one is from the same mill. What makes it a little different from their other papers is that it is hard-sized, meaning it is made to stay wet for longer. It’s a block of paper so I couldn’t wet the paper on both sides but it seems to perform as advertised: both the initial sky wash and the first glaze on the foreground rocks stayed moist and glistening for a longer time than I am used to. This test was done in the controlled environment of my studio. It will be interesting to take it outside where wind and heat usually dry the paper too quickly.

Motif #1 and #2
Posted: July 21, 2025 Filed under: Uncategorized | Tags: cape ann, motif #1, rockport, travel sketching 18 CommentsGo ahead and type “Motif #1 painting” in your search engine. You’ll find hundreds of paintings and sketches of this iconic red Rockport fishing shack. I’ve painted it many times myself, from different viewpoints. Last week, during my warm-up sketching days before my workshops at Slow River Studio in Topsfield, I sketched it from the left side — an angle that was new to me. I drew first with my Lamy pen that’s filled with water-soluble copper ink and then added some light washes on top. This ink dissolves almost completely into the watercolour but if you’re painting a red building, it sort of works in your favour by melting into the red/brown washes.

Later in the week, it was also the subject of one of my workshop demos, although this time we sketched it from the front. If you are sitting on the end of the town wharf, the morning light on the building is ideal. As for what red to choose for this, I used a combination of Alizarin Crimson and Burnt Sienna, adding a little Violet to the mix for the shadows. The actual paint on the building is a flat reddish brown, more like Indian Red, but I don’t have that on my palette (too opaque!) so this was my solution.

Here and there in the neighbourhood
Posted: July 9, 2025 Filed under: Uncategorized | Tags: geese, pencil sketch, planters, urban sketchers Montreal, watercolour sketch 5 CommentsIt’s great to be doing errands in my neighbourhood, stopping here and there to sketch outside. That’s what the summer is all about, right? Yesterday my errand was in Hudson, so I took the time to sit outside with an iced coffee and paint the beautiful planters at Mikko Coffee Roasters. What you don’t see is the row of cars behind the planters because I chose to leave them out and focus instead on the foliage, the flowers, the pots and their long shadows.

I also joined Urban Sketchers Montreal and Urban Sketchers Ottawa at Stewart Hall on Sunday. It was a scorcher of a day, and with the humidity it felt like 40C. I found a spot in the shade and sketched the geese who were pecking around near my chair. There was one aggressive one in the group but luckily it was another goose he was after and not the sketcher under the tree.
What have you sketched this week? Hopefully you’ll find a bit of time too!

In my garden today
Posted: July 5, 2025 Filed under: Uncategorized 20 CommentsWhen we moved into this house about a year and half ago, it was almost winter and the garden had already been put to bed. Last year was a summer of waiting to see what would come up. I discovered lots of greenery (ferns, hosta, perennial grasses) and some nice hydrangea. But not many flowers. To remedy the situation, I started by adding a few along a fence last year, and a few more this year, in spaces that needed filling in. Today I actually have a colourful border that I can sketch, and it includes a few surprises like orange echinacea which I thought would be purple, and enough Shasta daisies to cut and bring indoors.

















