Before the rain
Posted: August 6, 2026 Filed under: Uncategorized | Tags: boats, plein air watercolour, Pointe Claire Yacht Club 7 CommentsI got an early start at the breakwater today, in an attempt to beat the heat. The morning started off hot and sunny (I set up on the shady side of my car), but then a heavy, humid air mass rolled in, the sky darkened and the air was still. My washes started off quite light, but as the humidity descended, my painting darkened too. Not long after I finished, the sky opened up, but by that time I was back in my car. Painted on a quarter sheet of Saunders CP 140lb paper.

August breakwater
Posted: August 4, 2026 Filed under: Uncategorized | Tags: boat painting, plein air watercolour, Pointe Claire Yacht Club 3 CommentsI’m a little late for the start of boat painting season but better late than never. I’ve painted this view of the Pointe Claire Yacht Club countless times but it never gets old. I have my spot under a tree, in a beautiful park, in the good company of picnickers, dog walkers, cyclists and the odd pedestrian who looks over my shoulder for a time. On a warm summer day, I can think of no better place to paint.
I did have my plein air easel with me but ended up painting this quarter sheet on my lap because a lever was missing from my tripod, making it impossible to attach the tray that holds my paper. But it didn’t matter. There was nothing that was going to stop me from painting my favourite summer scene. Painted on a quarter sheet of Arches Rough paper, 140 lb.

A few in blue
Posted: May 9, 2025 Filed under: Uncategorized | Tags: Chania, Crete, flower pots, flowers, Greece, plein air watercolour, pots, watercolour 19 CommentsIf you read the last issue of my newsletter “The Wheelbarrow“, you’ve probably already seen this little blue wheelbarrow. It’s one that my husband spotted tucked away in a corner of the Botanical Park and Gardens of Crete. It was so perfectly rusty and of course so perfectly blue, that I had to sketch it and add it to my collection of wheelbarrow sketches. A few people asked what blue I used to paint this. It was definitely a Holbein pigment because during this trip I was testing out that brand in my two palettes, but it wasn’t one single colour. I likely used a combination of Turquoise, Horizon Blue and Cerulean Blue, mixed in with a little bit of Burnt Sienna, of course.

I was fascinated by the rows of potted plants that people place outside their doors in the narrow streets of Chania, and of course by the shadow patterns their shapes create. On many occasions I saw these pots, as well as many others, being lovingly tended by their owners. This particular road was not much wider than the width of one car, but I set up my stool against the opposite wall and managed to wedge my easel in there too. Not long after I started to paint, a white van pulled into that narrow space, totally blocking my view and almost knocking over my easel. I was ready to pack up my gear and finish my painting indoors when a woman emerged from a door next to me. I understand a few words of Greek but language was not necessary in this instance. I understood from her gestures that she was telling the driver to move his van so that I could paint. With smiles of appreciation and my best efcharistó to both the driver and the woman, I happily finished my painting and moved on.

















