It’s been ages that I’ve been thinking about — and finally got around to creating — a new website for my work. I’m so excited to launch it today. The project started with me hoping to hire someone to help me, but that didn’t really work out, so I ended up doing it myself. I’ve been adding bits to it for the past month or so, and there are still sections to come, but I’m pleased to have it at a stage that’s ready for viewing.
You’ll find galleries of paintings, galleries of sketches and a section of paintings for sale. In the next little while I’ll be adding a workshop section, as well as one for materials. Have a look at the site by clicking on the image below or going to http://www.blaukopfwatercolours.com.
This doesn’t mean anything will change with my blog. It will still be the place where I’ll post my day-to-day stuff, whereas the new website will mostly be for finished work. If you have comments or would like to see anything else on the site, let me know.
I’ve been missing my (almost) daily posts. These past few weeks I haven’t been posting nearly as much as I want to, but it’s not because I haven’t been drawing… It’s just that I can’t publish anything because I’m working on a video that will come out in early summer (hopefully). It’s pretty exciting because I’ve had so many requests for online courses. I can’t say much more than that, but of course I will post it here first when it comes out. As a break from the video work, I had to paint my bouquet of orange tulips one more time before they fade.
I think the trick to painting flowers in watercolour is letting the paint and the water do some of the work for you. After all, the last thing you want is for flowers to look dry and wooden. For these tulips, I wet the shapes with clear water and then dropped some fresh paint into the puddles. I like what happened with the paint, how it flowed around and created texture on its own. I had some different colours of red and yellow on the brush, which mixed around on the paper and in some places, even mixed in with the green of the leaves. Resist the urge to muck around in the puddles of colour. Just let the paint and water combine and wait to see what happens when the paper dries. You might like it.
It’s the combination of building and tree that attracts me to the chocolatier in Pointe Claire Village. That, and the parking spot facing the facades, which doesn’t happen very often. I’ve only ever sketched the buildings in watercolour, so thought I’d use a combo of the dip pen and the brush pen today. It’s a funny time of year with the snow melting and bits of dead grass appearing underneath, along with lots of winter’s detritus, which is why I thought the scene might work better in black and white.
July 22-25, 2015
Early bird registration (10% off) is now open for the Urban Sketchers Symposium in Singapore.
Programming and faculty details will be announced on March 31.
Standard registration begins on April 11.
Hope to see you there!
Looking out from the window, you might think it was spring. The light is bright, the days are long and I can hear birds. But take one step outside and the wind knocks you right back to late January. It was -15°C outside this morning and since the motor died on my furnace, almost as chilly inside. I know the cold will end soon but I’m still painting in the car for the time being. Today I did a few planning sketches of the leaning trees at the cemetery. Vertical, horizontal? I wasn’t quite sure. In the end, I realized I only had a square format sketchbook with me, so I guess it ended up being something in between.
It’s too late to change this sketch, but if I could, I would modify the division of space in the picture. The image at the top is the original sketch, and as you can see, it’s about half sky, half buildings/foreground. If I had spent a few minutes planning this better, I think I would have changed that proportion. Since the foreground doesn’t have much interest in it, I should have moved that complex strip of farm buildings and trees down on the page. That would have allowed me to have a sketch with 3/4 sky and 1/4 land instead of a 50/50 split.
Ideally I would extend the sky by another two inches. Sadly, I don’t have enough room on the paper to add more clouds, but by the modern miracle of the “content aware” tool in Photoshop, I can get a better idea of what I should have done.