The grey season and a few invitations

It’s the grey season now. The month when I check my weather app daily, looking for a snowflake icon. So far, nothing on the horizon at all, so I will be painting scenes like this one. Bare trees, bare ground, dead grasses, and hopefully a bit of colour somewhere in the scene for variety. Despite the lack of colour, it’s the best time to paint from my car because I need neither AC nor heat and I can be out there for as long as I need.

There are few upcoming shows that I’m excited to take part in this month. This coming Thursday, November 7, is the opening of The Merry Mini show at the Cline House Gallery in Cornwall, Ontario. I’ll be joining 50+ artists (including my husband Spyro who is exhibiting photos in the show), and all works are 12″ x 12″. It’s the perfect time to stock up on original gift ideas for the holidays!

It’s always a great honour to have a watercolour in the Stewart Hall Art Rental Collection. There’s a top-notch selection of work and this year I’ll be exhibiting “Hidalgo 1“. I hope to see you at the vernissage on November 17. All the info is on the card below.


Under the wire

I flew out the door at 4 pm to sketch the last of the pumpkins at the local farm stand. It was a sorry display of rejected gourds, dried out perennial grasses and overgrown ornamental cabbage. There were a few scary black cat cutouts that had blown to the ground in today’s wind, but it was still fun to be in my car studio. I couldn’t let a Halloween go by without sketching a few of these. And then as fast as I got there, I flew home to empty my boxes of tiny chocolate bars in a big bowl before the first of the trick or treaters arrived!


Bar Harbor Village Green

The Village Green in Bar Harbor is the perfect spot for an urban sketching workshop demo. There’s at least one of everything, or at least everything I want to include in a sketch. There are people, dogs, cars, buildings, trees, a distant mountain, a bald eagle flying overhead, a trash can, a lamp post, a parking meter, a gazebo, a giant clock, a fountain, benches and probably a lot more. As you can see I couldn’t include everything.

We set up in the early morning when the sun was behind a tree but as it moved, we were facing into the light, and that made things a little tricky. I wanted to convey some of the bright colours of fall but in that light, the trees were backlit and ended up darker than I was hoping they would be. Maybe next year I’ll turn around and paint the fountain and the gazebo instead.


Upper Town Dock

Upper Town Dock is my kinda subject. Reflections, pilings, lobster traps, rusty drums and yellow ropes. And only one surly fisherman who thought that the town dock was no place for sketchers. Despite that, this was one of my favourite locations in a fantastic week of teaching on location with Madeline Island School in Bar Harbor, Maine. We were lucky with the autumn weather too — one day of rain followed by four glorious sunny (and cold) days.

It can be chilly in Maine in October, but I appreciate that everyone in my group came prepared with layers of sweaters and jackets, hats and gloves, and also that no one complained about the cold or left early. (Maybe they read my post from September about having to buy a hat and gloves in North Norfolk!)

We talked a lot during the workshop about using limited palettes in watercolour, and that’s mostly what I used here — a blue, a yellow, a bit of burnt sienna, and then just a few dots of red at the end. More Maine sketches coming tomorrow!


This might be it

I’ve been looking for a big old maple tree to draw. You can read about my criteria here. For over a decade I painted another beautiful old maple in my former neighbourhood, but it’s too far away to go for a short sketch outing.

Well, good news! I may have found my tree yesterday. And it’s not too far from my house.

Here’s why it works:

  • I can see it from a parking lot!
  • It has a sign in front of it, like my old tree
  • It has a big wide trunk and a domed crown that hasn’t been chopped off
  • It’s not in a forest. I can see the whole tree.

For my first sketch of it, I should have parked a bit further back but I was so excited to find it that I jumped right into sketching. Next time I will try to fit all of it on my page. I don’t think it’s fully ready to sketch yet anyway. I’m waiting for the leaves to go bright yellow, which should be at the end of the month. But in the meantime, I am relieved that found it, just in time for “My Favourite Tree” season.


Cornfield

Cornfields are everywhere around here. I passed many on my way to paint this scene the other day. I was hoping to paint the corn on location but there’s nowhere to set up my easel by the side of road without getting plowed down by a tractor or a combine harvester, so I took a bunch of photos and then painted back in my studio.

I wasn’t sure what to do with this type of composition. There’s really no focus. It’s just a pattern of colours and contrasts. I also wanted to convey the light coming through the stalks and hitting the tops of the floppy leaves, as well as give a sense of all the colours that you see when you get close to the stalks and the decaying foliage.

If you want to see the step-by-step photos of how I painted the cornfield, it’s in the October issue of my newsletter “The Wheelbarrow”. If you’re not on the mailing list, you can sign up here. Also new is a downloadable pdf “25 Ideas to Get You Sketching Everyday“. Have a look!


Sketching Retreat: a free 6-day online event

When I was teaching in the UK last month, I stopped in my tracks when I saw Gurney’s Fish Shop. Not because of the Thai fishcakes or the kippers or the fresh crab, although I’m sure they were delicious. I just loved all the chalkboard signs out front! I drew it with my group on our last day in Burnham Market, and then when I was invited to be part of a new virtual event, I also recorded it as a video demo because it was so much fun to draw.

Sketching Retreat is a FREE 6-day online event with 50+ workshops (mine included!) all about architectural sketching & drawing – both analog and digital techniques.

I’m excited to be one of the 50+ instructors in the event. In my online workshop, I’ll be sharing Inside and Out: A Shop Facade in Ink and Watercolour. The event is free and the instructors include some amazing sketcher friends like Stephanie Bower, Marek Badzynski, Paul Wang and Simone Ridyard, plus many more I’m excited to discover. The dates for the event are October 22-27, 2024, but registration is open and you can sign up now.


Announcing “Design Ideas for Your Sketchbook”, a new online course

As a university-trained graphic designer and design teacher, I worked for years in the industry before returning to my first love: sketching and painting in watercolour. That’s why I’m thrilled to be launching a new online course: “Design Ideas for Your Sketchbook.” Because it combines my two great passions — graphic design and watercolour sketching.

This is an extended course (almost four hours long!) because there’s lots to cover. Design theory, practical applications of design, lettering, watercolour techniques, etc. Plus there’s a bonus 25-page PDF with sketchbook examples.

My intention with this course is to show you techniques for page design that you can apply to your own sketches, whether they are done at home or on location. I’m really looking forward to seeing what people post on the course website!!

As always, there’s a special launch price, valid this week only. ​
Normally priced at $49 USD or $69 CDN, I’m discounting Design Ideas for Your Sketchbook to $42 USD or $59 CDN until midnight (ET) on Sunday, October 6, 2024. Have a look!!


Cul de sac

It’s National Tree Week. I guess that means different things for different people but for me it means get out and paint a tree! This is one I found on a dead end road not too far from here.

I’m still getting to know the roads and landscapes around our new neighbourhood. As soon as you leave this suburb it becomes rural very fast. Horse farms and then corn fields. Lots of them. The long road I followed had some beautiful scenery but no shoulder to stop on. I found this little spot at the end of the road, where I pulled into a driveway next to a house. The bright fall light made some interesting shadows on the upper part of the tree. I painted from the comfy seat of my car studio, on a 10 x 14″ pad of Arches Rough paper.


The one that survived the lake

I didn’t think there would be any more opportunities to paint boats in Hudson this year, but my friend Michelle reached out with a nice invitation to join her at the yacht club last weekend, and I didn’t hesitate to say yes. I’m so glad I did.

We chose a painting spot out on the pier where we could look back at the marina and the trees on the shore. It’s a complex viewpoint but I chose to focus on the blue sail cover in the foreground and the masts behind it. Two thirds of the way through my painting, I briefly considered tossing it in the lake and starting again, but I think it was just missing darks. I repainted the background to darken it and that helped a lot. Painted on a pad of Arches 140lb CP paper, using lots of Cobalt Blue that had escaped a well on my palette.