Village walk

We’ve had about 20 cm of snow in Montreal since yesterday morning, and it’s still falling. It’s heavy snow that’s bending branches and creating a bit of havoc on the slippery streets. But it’s so beautiful that I couldn’t wait for it to stop before going out to paint. I mostly couldn’t see through the car windshield but the occasional use of wipers helped. I would work a bit, and when I got really lost I’d turn them on to clarify some of the details. Not an ideal way to work but it was better than staying home. Painted on a quarter sheet of Arches Rough paper.

Old mops for snow

What fun to wake up to all this snow today! I rushed through work so I could grab my paints and set up in front of the window to paint my favourite snow day scene of my Norway Maple and my neighbour’s house in the distance. My neighbour even obliged me by coming out to shovel her stairs while I painted. I’m excited that winter is here, and this snow is supposed to last for a bit so I will be painting more winter scenes this week.

I did the first washes of this painting with these old mop brushes. I bought these on my first trip to Paris many years ago. I was still a university student, and these were a big splurge for me on my limited budget. But they are still great brushes and hold a ton of wash, plus aren’t they gorgeous objects?

Ginger with forty cloves of garlic

You might think that I’m about to make a fancy recipe that needs a lot of garlic, but that’s not the case. I was doodling in my sketchbook while chatting with Suhita and Nina on Zoom. The ginger and garlic were on the table in front of me, but since our conversation lasted longer than it takes to draw two heads of garlic and some ginger, I moved the garlic around and around and just kept drawing it at different angles. Drawn with my Bic 1.0 mm pen in my Hahnemuhle sketchbook.

Sunday morning in Lachine

I love the quiet of a Sunday morning in the old part of Lachine. Especially when it’s cold out. And grey. People are out only by necessity — to walk dogs, to smoke a cigarette, to pick up milk at the dep. It’s very different from spring and summer when there are visitors from other parts of the city who come to stroll along the lake and picnic in the park. And far less interesting.

Despite the cold, I painted from my car. I enjoy setting up the drawing for a scene like this. Each shape is a piece of the puzzle. I start with the buildings but if I’m lucky a smoker or a dog walker will walk into the scene and give a bit of life to the bleakness of the street on a cold and grey Sunday morning in Lachine.

Two tree shadows

The light was so bright and the shadows so distinctive in the corner of my yard this morning that I had to grab my pen and sketchbook. There was even one shadow I’ve never noticed before, despite drawing the wheelbarrow dozens of times. It’s from the tall fir tree to the left of the oak that supports my wheelbarrow. Today the fir cast a long shadow that travelled up the left side of the oak. Every time I glanced up those shadows were a little different, so I scribbled quickly with my pen to capture the shapes on the tree, the wheelbarrow and the shed.

There’s always a moment when I’m drawing with a ballpoint pen when I ask myself if it’s time to stop. In this sketch I suppose I could have kept on filling in what I saw above the fence. But what attracted me to this scene at that moment was the shadow shapes around the wheelbarrow, and once that was captured, it didn’t seem that interesting to cover the rest of the page.

Curry and cardamom

I’ve never really explored drawing with a ballpoint pen, but I have to say I am loving it. After some technical difficulties with Wednesday’s boot drawing, I decided to splurge on some new ballpoint pens yesterday. The good ones. Bic Cristal, assorted colours. And now that I am drawing with them (an assortment of spice bottles on my counter, used first to flavour a curry) there are some surprises. They are very effective at building up tones slowly and with some subtlety. And they make great dark tones too. I was not expecting that. I chose a medium nib so the first lines I start with are very light (no pencil under the ink), and I layer from there. It’s great fun and also very meditative at the same time. A perfect activity while the curry bubbles away (or overcooks) on the stove.

Blue boots

Boots and shoes are so hard to draw, but on these rainy, snowless Montreal days, they make for a good drawing challenge when I can’t get outside. When I’m done sketching footwear, I often realize that there’s always one that looks bigger than the other, or sometimes both look like they might be owned by someone with two left feet. But I love drawing them. They have personality, complexity and texture. I sketched these in my Hahnemuhle 100% cotton sketchbook, which continues to meet all my sketching needs: great with watercolour, beautiful with pencil, and perfect for ballpoint pens (in this case both the one that ran out of ink as well as the one that blobbed).

Alice on Alice

It’s been a busy week, with no time to draw at all. Lots of family stuff (it’s that time of year) plus a quick trip to New York City to see the Edward Hopper show at the Whitney Museum. (I will write more about the show in my upcoming newsletter — the December issue of The Wheelbarrow.) After a week like this, I realize how much I miss drawing when I haven’t done it for a few days. I went to New York with a sketchbook in my bag, and plenty of good intentions, but the weather was cold and rainy and not at all conducive to sketching. So this morning, after our walk, I sketched Alice in my studio, with the simplest of tools — just a pencil and my Hahnemuhle 100% cotton sketchbook. It took several changes of position for Alice to settle down, but that gave me a chance to warm up my rusty drawing hand with a few pencil lines of her head and paws, and then take my time on a longer drawing.

The edge of the pond

I thought a lot about how to tackle this big area of foreground grass before I put a brush to paper. I don’t use masking fluid or any other form of resist in my watercolours but I wanted light areas in the grass as well as a sense of movement created by the wind coming across the pond AND depth within the grass, without being overly detailed.

My first wash was a light tone of grass colour (mostly Raw Sienna), with lots of white showing through. I tried to think about the movement of crisscrossing lines that would remain light all the way to the end of the painting, so I left some unpainted areas for that. When that bigger shape dried I started to fill in the shapes with other grasses, both behind and in front of the first shape. Then I used a lot of negative painting and smaller darks to add depth to the shapes, using increasingly finer lines. The final step in the grasses was to paint a few strokes of Buff Titanium as well as Titanium White on areas that needed highlights. It was a really good exercise in creating texture.

A pond sketch, a sale and an invitation

Heron Pond at the Technoparc Oiseaux is one of my favourite places to visit and sketch. I love to see the seasonal changes in the wetlands, and record how the light at different times of day affects the surrounding vegetation. Yesterday I visited in the morning but it was too cold to paint on location. Instead I made my way to the edge of the pond to take some reference photos of the backlit bullrushes.

My planning stage for this scene is a value sketch done with a conté stick. I sometimes do value sketches in Payne’s grey watercolour but since this scene is almost entirely based on texture, I used a line tool. Hopefully I will have time to start the painting tomorrow.

A Black Friday Sale

If you’ve taken some of my online courses, you may be interested in my second annual Black Friday Week sale. Most of my courses (except for Rugged Rocks and Sea) are now 30% off until Sunday at midnight ET. Just enter the coupon code BAKERSDOZEN30 at checkout. (This discount doesn’t apply to bundled courses since they are already discounted.)

An Invitation

If you are in the Montreal area, here’s an invitation for a Holiday Pop-Up show that I’m participating in on December 3, at the Lutaflore studio in Pointe Claire. If you haven’t seen the floral arrangements created by Maryse Hudon, you’re in for a treat. It’s been ages since I’ve exhibited work, and I’ll have a selection of small, matted paintings for sale. The address is not on the invitation below, but if you email me, I’ll share it with you. Hope to see you there.

And lastly, to all my friends in the US who celebrate Thanksgiving tomorrow, have a wonderful long weekend celebration!